Scarecrow Press
Pages: 544
Trim: 6¾ x 8¾
978-0-8108-5417-8 • Hardback • May 2005 • $107.00 • (£82.00)
978-1-4616-6954-8 • eBook • May 2005 • $101.50 • (£78.00)
Nancy Lee Harper is Associate Professor of piano with aggregation at the Universidade de Aveiro, Portugal.
Part 1 Credits
Part 2 Musical Examples and Tables
Part 3 Titles of Musical Works (Spanish-French-Latin-English)
Part 4 Abbreviations and Useful Addresses
Part 5 Acknowledgments
Part 6 Chronology
Part 7 Introduction
Part 8 Part I: Biography
Chapter 9 1 Cádiz (1876-1897)
Chapter 10 2 Madrid (1897-1907)
Chapter 11 3 Paris (1907-1914)
Chapter 12 4 Back to Madrid (1914-1920)
Chapter 13 5 Granada (1920-1939)
Chapter 14 6 Argentina (1939-1946)
Part 15 Part II: Facets of Falla's Life and Works
Chapter 16 7 Falla in His Religion
Chapter 17 8 Falla as Educator
Chapter 18 9 Falla and the Piano
Chapter 19 10 Bach-Scarlatti-Chopin-Beethoven-Romanticism
Chapter 20 11 Louis Lucas
Chapter 21 12 From Folksong to Plainchant: Musical Borrowings and the Transformation of Manuel de Falla's Musical Nationalism in the 1920s
Chapter 22 13 Falla in Europe: Relations with His Contemporaries
Chapter 23 14 Alexandre Tansman Remembers Manuel de Falla
Chapter 24 15 Manuel de Falla's Personal Library and Insights into the Composer's Annotations
Part 25 Part III: Works
Chapter 26 16 Youthful Period (1896-1904)
Chapter 27 17 Period of Consolidation of Musical Language (1905-1914)
Chapter 28 18 Andalusian Period (1915-1919)
Chapter 29 19 Period beyond Nationalism (1920-1926)
Chapter 30 20 Period of Research for a Universal Synthesis (1927-1946)
Part 31 Genealogical Record of Manuel de Falla
Part 32 Bibliography
Part 33 Index
Part 34 About the Author and Contributors
...full of interesting anecdotes not to be found elsewhere.
— Times Literary Supplement