Scarecrow Press
Pages: 328
Trim: 10 x 8⅜
978-0-8108-5018-7 • Paperback • July 2004 • $87.00 • (£67.00)
Thomas S. Hischak is professor of theatre at State University of New York at Cortland. He is the author of fifteen books, including Enter the Players: New York Stage Actors in the Twentieth Century (Scarecrow Press, 2003). Hischak is also winner of a Choice "Outstanding Academic Book" award.
Part 1 The Swinging Door: An Introduction
Part 2 Chapter 1: Sometimes the Melody Doesn't Linger On
Part 3 Chapter 2: How Boy Met Girl
Part 4 Chapter 3: Close Copies
Part 5 Chapter 4: Star Light, Star Bright
Part 6 Chapter 5: Ah, Sweet Operetta!
Part 7 Chapter 6: Waiting for the Revues to Come Out
Part 8 Chapter 7: Too Hot to Handle
Part 9 Chapter 8: Why Can't the English?
Part 10 Chapter 9: What Were They Thinking?
Part 11 Chapter 10: In for the Long Run
Part 12 Chapter 11: Reverse Order
Part 13 Musicals Directory
Part 14 Appendixes
Chapter 15 A. Nonmusical Films That Were Turned into Broadway and Off-Broadway Musicals
Chapter 16 B. Nonmusical Plays That Were Turned into Movie Musicals
Chapter 17 C. Academy-Award Winning Musicals
Chapter 18 D. Tony Award-Winning Musicals
Part 19 Bibliography
Part 20 Index
Part 21 About the Author
This informative book covers every Broadway musical adapted for the screen.
— Louis Botto; Playbill
...hilarious, and loads of fun...
— Steven LaVigne; Living Out
...the process of transferring from stage to screen is particularly fascinating, and is chronicled here in astonishing detail...Written with enthusiasm and understanding, the catalogue of fudged opportunities and moments of Oscar-winning glory will earn raves from theatre-goers and movie fans alike. Four Stars!
— Film Review
Hischak...examines 176 Broadway and Off-Broadway musicals that were translated into film versions in Hollywood, ranging from The Desert Song (1927) to the 2002 hit, Chicago; ten British musicals that were once popular in New York and later filmed with Hollywood connections; and 15 Broadway shows based on movie musicals. The author considers the changes each musical underwent and the results of those changes, both in terms of artistic achievement and audience satisfaction. Academic but accessible to theatergoers, moviegoers, film and/or theater students, and those in the theater and film businessss
— Reference and Research Book News
...this is an eye-opener, and entertaining to boot.
— Stage Directions
Hischak...examines 176 Broadway and Off-Broadway musicals that were translated into film versions in Hollywood, ranging from The Desert Song (1927) to the 2002 hit, Chicago; ten British musicals that were once popular in New York and later filmed with Hollywood connections; and 15 Broadway shows based on movie musicals. The author considers the changes each musical underwent and the results of those changes, both in terms of artistic achievement and audience satisfaction. Academic but accessible to theatergoers, moviegoers, film and/or theater students, and those in the theater and film business
— Reference and Research Book News
If you know someone who delights in musicals, Thomas S. Hischak's book Through the Screen Door would make a fine gift.
— The Syracuse Post-Standard/Stars
Essential.
— Choice Reviews