Scarecrow Press
Pages: 216
Trim: 9 x 6
978-0-8108-4999-0 • Paperback • July 2004 • $84.00 • (£65.00)
978-1-4616-0029-9 • eBook • July 2004 • $79.50 • (£61.00)
Timothy Johnson teaches music theory at Ithaca College in Ithaca, N.Y.
Chapter 1 Musical Examples and Illustrations
Chapter 2 Preface
Chapter 3 Introduction
Chapter 4 An American Sport—An American Composer
Chapter 5 Constant Change—The Growth of Major League Baseball
Chapter 6 A Life of Baseball—A"Manly" Game
Chapter 7 Playing the Game—Baseball in Completed Compositions
Chapter 8 Musical Sketches of Ballplayers—A Baseball Fan's Record
Chapter 9 Baseball Techniques—From Sketch to Compositional Language
Chapter 10 Notes
Chapter 11 Bibliography
Chapter 12 Index
Chapter 13 About the Author
Johnson's style is direct and readable without being esoteric, even when discussing some of the weightier elements of music theory....Inasmuch as Johnson's stated intent is to show Ives' love of baseball as a 'proving ground' for later developments in his musical evolution, it would be a fair assessment to say that he achieves this goal well.
— Aethlon: Journal of Sports Literature
This study delineates how the art and sport of baseball affected Ives and presents analytical and contextual treatments of his musical compositions pertaining to baseball.
— Reference and Research Book News
No one before Timothy Johnson has attempted to examine the relationship of Ives's interest in baseball to his music. The topic is very innovative, the approach fruitful, and the findings illuminating both about Ives as a person and about his music.
— J. Peter Burkholder, President, The Charles Ives Society
• Winner, The Sporting News-SABR Baseball Research Award 2004