Scarecrow Press
Pages: 300
Trim: 7¼ x 8½
978-0-8108-4973-0 • Paperback • October 2004 • $63.00 • (£48.00)
Henry Martin directs music theory and composition for the Mannes-New School Jazz Program, and is the Associate Editor for the Annual Review of Jazz Studies. Martin is the author of Charlie Parker and Thematic Improvisation (Scarecrow 1996). In addition, his award-winning composition, Preludes and Fugues, was recently released by GM Recordings and features pianist David Buechner.
Chapter 1 MAIN ARTICLES
Chapter 2 Jazz Theory—An Overview
Chapter 3 Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock
Chapter 4 Blues for You, Johnny: Johnny Dodds and His "Wild Man Blues" Recordings of 1927 and 1928
Chapter 5 Linear Intervallic Patterns in Jazz Repertory
Chapter 7 Microrhythms in Jazz: A Review of Papers
Chapter 8 The Art of Charlie Parker's Rhetoric
Chapter 9 John Coltrane's Meditations Suite—A Study in Symmetry
Chapter 10 Outrageous Clusters: Dissonant Semitonal Cells in the Music of Thelonious Monk
Chapter 11 PEDAGOGICAL SECTION
Chapter 12 How Weird Can Things Get? (Maps for Pantonal Improvisation)
Chapter 13 Hearing chords
Chapter 14 Transcribing a Solo Using a Tape Constructed from a Compact Disc Player with A/B Repeat Function
Chapter 15 BOOK REVIEW
Chapter 16 Barry Kernfeld's What To Listen For in Jazz (Yale)
Chapter 17 CO REVIEW
Chapter 18 Bill Kirchner's Big Band Renaissance (Smithsonian)
Martin's approach here as editor is an intelligent one; the articles tend to embrace several levels of theory at once, and the serious listener, player, or student should find this volume worthwhile.
— Cadence Magazine