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Operas in One Act

A Production Guide

Franklin W. Summers

Now in paperback! Reliable and up-to-date information on more than 275 operas to assist the producers in selecting work appropriate to needs and resources.

The book is divided into two parts—those operas with librettos written in English and those with librettos translated into English. Entries are listed alphabetically by composer and include detailed information that includes title, subtitles, alternate titles, the date created, the date and location of the first performance, the author and source of the libretto, the approximate duration of a performance, the cast (principal and supporting, singing and non-singing roles), the chorus, ballet or dance requirements, orchestral requirements, piano accompaniment, a description of the dramatic or musical style, the setting, the scenes, a synopsis, production notes, and last-known source of the materials.

For the educator, coach, producer, director, conductor, or student, an invaluable resource for comprehensive, difficult-to-find information about this highly adaptable medium. Cloth edition published in 1996.
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Scarecrow Press
Pages: 397 • Trim: 5½ x 8½
978-0-8108-4710-1 • Paperback • January 1996 • $88.00 • (£68.00)
Subjects: Music / Genres & Styles / Opera
W. Franklin Summers is Chairman of the Department of Vocal Performance at the University of Miami School of Music.
This book is the only reference work of its kind that pertains exclusively to operas in one act. It will prove to be an invaluable resource for all libraries with a clientele of vocal musicians, but especially for academic libraries with music programs. It also belongs on the bookshelf of every voice teacher, vocal coach, and opera director.
— Reference and User Services Quarterly


...comprehensive analyses of more than 275 operas, opens the door to expanded possibilities...valuable...a useful book, and its utility is further enhanced by the indices that conclude the volume...a one-of-a-kind study...a welcome and convenient resource to anyone involved in opera production.
— Journal of Singing


...an immensely useful tool for academic and small opera companies...an essential addition to the library of any academic institution or community with an opera program.
— Choice Reviews


This production guide to one-act operas should prove to be of great use to performers, producers, directors, music educators, and others involved in selecting operas for performance in a variety of settings, from workshops to professional presentations.
— American Reference Books Annual


Operas in One Act

A Production Guide

Cover Image
Paperback
Summary
Summary
  • Now in paperback! Reliable and up-to-date information on more than 275 operas to assist the producers in selecting work appropriate to needs and resources.

    The book is divided into two parts—those operas with librettos written in English and those with librettos translated into English. Entries are listed alphabetically by composer and include detailed information that includes title, subtitles, alternate titles, the date created, the date and location of the first performance, the author and source of the libretto, the approximate duration of a performance, the cast (principal and supporting, singing and non-singing roles), the chorus, ballet or dance requirements, orchestral requirements, piano accompaniment, a description of the dramatic or musical style, the setting, the scenes, a synopsis, production notes, and last-known source of the materials.

    For the educator, coach, producer, director, conductor, or student, an invaluable resource for comprehensive, difficult-to-find information about this highly adaptable medium. Cloth edition published in 1996.
Details
Details
  • Scarecrow Press
    Pages: 397 • Trim: 5½ x 8½
    978-0-8108-4710-1 • Paperback • January 1996 • $88.00 • (£68.00)
    Subjects: Music / Genres & Styles / Opera
Author
Author
  • W. Franklin Summers is Chairman of the Department of Vocal Performance at the University of Miami School of Music.
Reviews
Reviews
  • This book is the only reference work of its kind that pertains exclusively to operas in one act. It will prove to be an invaluable resource for all libraries with a clientele of vocal musicians, but especially for academic libraries with music programs. It also belongs on the bookshelf of every voice teacher, vocal coach, and opera director.
    — Reference and User Services Quarterly


    ...comprehensive analyses of more than 275 operas, opens the door to expanded possibilities...valuable...a useful book, and its utility is further enhanced by the indices that conclude the volume...a one-of-a-kind study...a welcome and convenient resource to anyone involved in opera production.
    — Journal of Singing


    ...an immensely useful tool for academic and small opera companies...an essential addition to the library of any academic institution or community with an opera program.
    — Choice Reviews


    This production guide to one-act operas should prove to be of great use to performers, producers, directors, music educators, and others involved in selecting operas for performance in a variety of settings, from workshops to professional presentations.
    — American Reference Books Annual


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