Scarecrow Press
Pages: 432
Trim: 5¾ x 8¾
978-0-8108-4448-3 • Hardback • December 2002 • $122.00 • (£94.00) - Currently out of stock. Copies will arrive soon.
Peter Hardwick is Principal Organist and Choirmaster, Church of the Master, Toronto, Canada.
Chapter 1 List of Plates
Chapter 2 Preface
Chapter 3 1 British Organ Music at the Dawn of the Century
Chapter 4 2 Hubert Parry
Chapter 5 3 Charles Stanford
Chapter 6 4 Basil Harwood
Chapter 7 5 The Pivotal Role of the Royal College of Music: Walter Alcock and Charles Wood
Chapter 8 6 William Faulkes, William Wolstenholme, Alfred Hollins, and Edwin Lemare
Chapter 9 7 Ralph Vaughan Williams and Frank Bridge
Chapter 10 8 Edward Bairstow
Chapter 11 9 John Ireland, William Harris, and Harold Darke
Chapter 12 10 Healey Willan
Chapter 13 11 Herbert Howells
Chapter 14 12 Percy Whitock
Chapter 15 13 Celebratory Music
Chapter 16 14 New Wine in Old Bottles
Chapter 17 15 Three Midcentury Composers of Gebrauchsmusik: Alec Rowley, Eric Thiman, and William Lloyd Webber
Chapter 18 16 Francis Jackson
Chapter 19 17 Serialism
Chapter 20 18 Peter Fricker
Chapter 21 19 Arthur Wills
Chapter 22 20 Kenneth Leighton
Chapter 23 21 Malcolm Williamson
Chapter 24 22 Avant-Garde Program Music after 1950
Chapter 25 23 Maxwell Davies
Chapter 26 24 William Mathias
Chapter 27 25 Alan Ridout
Chapter 28 26 Roman Catholic Organ Music and Colin Mawby
Chapter 29 27 The Path Taken in the Twentieth Century and a Look at What May Lie Ahead
Chapter 30 Catalogue of Works
Chapter 31 Music Acknowledgments
Chapter 32 Bibliography
Chapter 33 Index
Chapter 34 About the Author
Hardwick's timely survey offers an opinion on the relative virtues of the music in question and this is a welcome critique.
— Classical Music
Recommended.
— Choice Reviews
What a welcome arrival...Hardwick is absolutely first-rate in this book and I bow the knee in admiration, awe, and wonder…He covers an incredible amount of music in a relatively short space…I urge you to buy the book, study it, and, above all, play the music that he writes about.
— The American Organist
A most welcome volume that fills a long-standing gap in the literature...if you are interested in British organ music and its development over the last 100 years and could only take one book to your desert island, then this would probably be it.
— Church Music Quarterly
Each chapter of this wisely conceived book contains gems of information and insights on composers and musical trends that reveal the author's close familiarity with his subject. This comprehensive survey will stand as a definitive work on the topic for many years to come...
— The Diapason