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The Rise of the Crooners

Gene Austin, Russ Columbo, Bing Crosby, Nick Lucas, Johnny Marvin and Rudy Vallee

Michael Pitts; Frank Hoffmann; Dick Carty and Jim Bedoian - Foreword by Ian Whitcomb

Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition.

Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal.

The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.
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Scarecrow Press
Pages: 312 • Trim: 5¾ x 8¾
978-0-8108-4081-2 • Hardback • December 2001 • $89.00 • (£68.00)
978-1-4617-0712-7 • eBook • December 2001 • $84.50 • (£65.00)
Series: Studies and Documentation in the History of Popular Entertainment
Subjects: Music / Genres & Styles / Pop Vocal
Michael R. Pitts is the author or co-author of more than 30 books on entertainment. Dr. Frank W. Hoffman is Professor of Library Science at Sam Houston State University, Huntsville, Texas.
Chapter 1 Acknowledgments
Chapter 2 Editor's Foreword by Anthony Slide
Chapter 3 Introduction: The Coming of the Crooner by Ian Whitcomb
Chapter 4 1 Gene Austin
Chapter 5 2 Russ Columbo
Chapter 6 3 Bing Crosby
Chapter 7 4 Nick Lucas
Chapter 8 5 Johnny Marvin
Chapter 9 6 Rudy Vallee
Chapter 10 Discography
Chapter 11 Filmography
Chapter 12 Bibliography
Chapter 13 Index
Chapter 14 About the Authors
In The Rise of the Crooner, music historian Michael R. Pitts and Drank W. Hoffmann...are ably assisted by Dick Carty and Jim Bedoian to present an articulate, scholarly, informative, and engaging historical treatise surveying the trends, fads, events, and personalities that created this popular form of American music and its lasting impact on popular American culture... The Rise of the Crooners...[is] an enthusiastically recommended addition to any personal, professional, academic, or community library American music history collection.
— Wisconsin Bookshelf


The Rise of the Crooners

Gene Austin, Russ Columbo, Bing Crosby, Nick Lucas, Johnny Marvin and Rudy Vallee

Cover Image
Hardback
eBook
Summary
Summary
  • Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition.

    Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal.

    The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.
Details
Details
  • Scarecrow Press
    Pages: 312 • Trim: 5¾ x 8¾
    978-0-8108-4081-2 • Hardback • December 2001 • $89.00 • (£68.00)
    978-1-4617-0712-7 • eBook • December 2001 • $84.50 • (£65.00)
    Series: Studies and Documentation in the History of Popular Entertainment
    Subjects: Music / Genres & Styles / Pop Vocal
Author
Author
  • Michael R. Pitts is the author or co-author of more than 30 books on entertainment. Dr. Frank W. Hoffman is Professor of Library Science at Sam Houston State University, Huntsville, Texas.
Table of Contents
Table of Contents
  • Chapter 1 Acknowledgments
    Chapter 2 Editor's Foreword by Anthony Slide
    Chapter 3 Introduction: The Coming of the Crooner by Ian Whitcomb
    Chapter 4 1 Gene Austin
    Chapter 5 2 Russ Columbo
    Chapter 6 3 Bing Crosby
    Chapter 7 4 Nick Lucas
    Chapter 8 5 Johnny Marvin
    Chapter 9 6 Rudy Vallee
    Chapter 10 Discography
    Chapter 11 Filmography
    Chapter 12 Bibliography
    Chapter 13 Index
    Chapter 14 About the Authors
Reviews
Reviews
  • In The Rise of the Crooner, music historian Michael R. Pitts and Drank W. Hoffmann...are ably assisted by Dick Carty and Jim Bedoian to present an articulate, scholarly, informative, and engaging historical treatise surveying the trends, fads, events, and personalities that created this popular form of American music and its lasting impact on popular American culture... The Rise of the Crooners...[is] an enthusiastically recommended addition to any personal, professional, academic, or community library American music history collection.
    — Wisconsin Bookshelf


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