Scarecrow Press
Pages: 568
Trim: 5¾ x 8¾
978-0-8108-4073-7 • Hardback • May 2002 • $167.00 • (£129.00)
Edward Brooks, currently a freelance writer, has written for the BBC and other magazines. He is also the author of The Bessie Smith Companion and Influence and Assimilation in Louis Armstrong's Cornet and Trumpet World..
Chapter 1 Chapter One: The Recordings of 1923
Chapter 2 Chapter Two: The Recordings of 1924
Chapter 3 Chapter Three: The Recordings of 1925
Chapter 4 Chapter Four: The Recordings of 1926
Chapter 5 Chapter Five: The Recordings of 1927
Chapter 6 Chapter Six: The Recordings of 1928
Chapter 7 Conclusion
Chapter 8 Appendix A List of Musical Terms
Chapter 9 Appendix B Musical Pitch
Chapter 10 Title Index
Chapter 11 Name Index
Chapter 12 Bibliography
Analyzes, in great depth, all of Louis Armstrong's recordings from the earliest with King Oliver up until 1928.
— New Orleans Music
...this is the sort of monograph that gets me excited because it's a measure of how much jazz has come to be accepted as a discipline for serious study and analysis....If you have a pretty healthy holding of Armstrong's records throughout 1923-1928, this book is fun and provocative to have at your side as you comb through familiar and unfamiliar titles.
— American University Radio
Sit down with your favorite early Armstrong recordings and follow along with Brooks's very detailed studies of every recording from this time period, and you may well think you've died and gone to heaven. Brooks has obviously devoted an enormous amount of time and energy to this project, and the fact that he's obviously a quite cultured gentleman makes the reading all the more rewarding.
— Cadence Magazine