Scarecrow Press
Pages: 352
Trim: 5¾ x 8¾
978-0-8108-4056-0 • Hardback • December 2001 • $145.00 • (£112.00)
Chapter 1 Preface
Chapter 2 New Feature: Jazz Bibliography From Nonjazz Journals
Chapter 3 Monkishness: A Sonnet Sequence
Chapter 4 Jazz Fiction: A Bibliographic Overview
Chapter 5 The Quartal and Pentatonic Harmony of McCoy Tyner
Chapter 6 From Popular Song to Jazz Composition: Thelonious Monk's "Ruby, My Dear"
Chapter 7 "Criss Cross": Motivic Construction in Composition and Improvisation
Chapter 8 The Armstrong I Knew
Chapter 9 Louis Armstrong: A Centennial Photo Gallery
Chapter 10 The "Stardust" File
Chapter 11 Structure in Jazz Improvisation: A Formulaic Analysis of the Improvisations of Bill Evans
Chapter 12 Treading the Board—A Pedal Play: The Artistry of Jimmy Smith in Performance
Chapter 13 "Parker's Mood" Revisited
Chapter 14 Using e-Commerce Music Sites for Discographical Research
Chapter 15 Busted: The Story of Gene Krupa's Arrest, January 19, 1943
Chapter 16 REVIEW ESSAYS
Chapter 17 Prism on an Era: Scott DeVeaux's The Birth of Bebop
Chapter 18 Saying Something: Jazz Improvisation and Interaction by Ingrid Monson
Chapter 19 BOOK REVIEWS
Chapter 20 Bill Evans: How My Heart Sings by Peter Pettinger
Chapter 21 Three books on Thelonious Monk:
Monk by Laurent DeWilde; Thelonius Monk: His Life and Music by Thomast Fitterling; Straight, No Chaser: The Life and Genius of Thelonius Monk by Leslie Gourse
Chapter 22 Swing City: Newark Nightlife, 1925-1950 by Barbara J. Kukla
Chapter 23 Recent Books Received at the Institute of Jazz Studies
Chapter 24 About the Editors
Chapter 25 About the Contributors
Chapter 26 About the Institute of Jazz Studies
...an interesting, very readable collection of articles on many aspects of jazz, ancient and modern....represents all schools of thought and opinion about the music.
— The Mississippi Rag