Scarecrow Press
Pages: 192
Trim: 5¾ x 8¾
978-0-8108-4046-1 • Hardback • August 2001 • $111.00 • (£85.00)
Robert Andres is currently working in the Coordinating Office of Artistic Education, Funchal, Madeira, Portugal.
Chapter 1 List of Figures
Chapter 2 Foreword
Chapter 3 Preface
Chapter 4 Introduction
Chapter 5 1 The Life of Frederic Horace Clark
Chapter 6 2 Anna Steiniger's Life and Education
Chapter 7 3 Clark's Writing's
Chapter 8 4 The Religion and the Science of the "Cherubim-Doctrine" and of the Harmonie
Chapter 9 5 The New Technique
Chapter 10 6 The Harmonie-piano: "Soul-Mirror"
Chapter 11 7 The Philosophy's of Pure Pianism and Its Consequences
Chapter 12 8 The Three Impromptus Op. 4: A Compendium of the Clark-Steiniger Piano School
Chapter 13 9 Clark and His Contemporaries
Chapter 14 10 Today's Perspective
Chapter 15 11 Conclusion
Chapter 16 Appendix A: F. H. Clark's Concert Programs
Chapter 17 Appendix B: F.H. Clark's Impromptu Op. 4 No. 3 "Hiawatha"
Chapter 18 Appendix C: F. H. Clark's Edition of Six Etudes by Cramer
Chapter 19 Bibliography
Chapter 20 Index
Chapter 21 About the Author
A brilliant revival of the ideas and the pedagogical influence of the enigmatic Frederic Horace Clark. Andres' thorough and sympathetic research convincingly places Clark's original and controversial concepts at the center of the historical development of piano playing. A remarkable addition to the field, it is also engaging reading for anyone interested in the adversities of human life. Highly recommended.
— Fernando Laires, Professor of Piano, Eastman School of Music
[O]ut of the many versions of Frederic Horace Clark's life, here is a rational and wholly believable account, devoid of the many contradictions to be found in other 'versions.' To read it in all its detail is something of a revelation, but it is also an intense study of all the available details that have been put together so painstakingly and so convincingly.
— From the foreword by Dr. Peter Katin, Professor, Royal College of Music, London