Scarecrow Press
Pages: 206
Trim: 6 x 8¾
978-0-8108-3938-0 • Hardback • December 2001 • $109.00 • (£84.00)
Jeremy Montagu, retired as Curator of the Bate Collection of Musical Instruments in the University of Oxford, has been involved in early music as a professional musician for nearly forty years. He is an Emeritus Fellow of Wadham College at Oxford University.
Part 1 Part I—Double Reeds
Chapter 2 Aerophones
Chapter 3 Free Aerophones—Reeds
Chapter 4 Concussion Reeds
Chapter 5 Reedpipes
Chapter 6 Cylindrical Bore Shawms
Chapter 7 Conical Bore Shawms
Chapter 8 Forked Shawms
Chapter 9 Carved Bore Shawms
Chapter 10 Reamed Bore Shawms
Chapter 11 Bagpipes with Double Reed
Chapter 12 Oboes
Chapter 13 Bassoons
Chapter 14 Reeds
Part 15 Part II—Single Reeds
Chapter 16 Idioglot Percussion-Reed "Whistles"
Chapter 17 Heteroglot Single-Reed "Whistles"
Chapter 18 Truly Idioglot Cylindrical Single Reeds
Chapter 19 Idioglot/Heterozeug Single Reeds
Chapter 20 Sets of Idioglot Cylindrical Single Reeds
Chapter 21 Bagpipes
Chapter 22 Heteroglot Cylindrical Single Reeds
Chapter 23 Clarinets
Chapter 24 Idioglot Conical Single Reeds
Chapter 25 Heteroglot Conical Single Reeds—Saxophones
Chapter 26 Reed Hooters with Undetermined Reed
Part 27 Part III—Free Reeds
Chapter 28 Free Reeds
Chapter 29 Mouthorgans
Chapter 30 Reed Organs
Chapter 31 Reed-Pipes with Free Reeds
Part 32 Part IV—Ribbon Reeds & Retreating Reeds
Chapter 33 Ribbon Reeds, Bark Reeds, etc
Chapter 34 Retreating or Dilating Reeds
Part 35 Bibliography
Part 36 Indices
Chapter 37 Catalogue Numbers
Chapter 38 Instrument Names
Chapter 39 Makers & Dealers
Chapter 40 Donors & Vendors
Chapter 41 Geographical Index
Chapter 42 General Index
...on almost any page can be found a description, commentary, or incedental essay that will engage the reader.
— Journal of The American Musical Instrument Society