Scarecrow Press
Pages: 328
•
Trim: 6 x 9
978-0-8108-3684-6 • Hardback • October 2000 • $115.00 • (£88.00)
Richard A. Reuss came to folklore studies by way of his interest in music. He led a folksinging group while a counselor at summer camp and as an undergraduate student at Ohio Wesleyan University. He earned his Ph.D. from Indiana University in 1971. He taught at Wayne State University in Detroit, broadening his studies to labor lore and music. Joanne C. Reuss studied folklore with Ellen Stekert as an undergraduate at Wayne State University. She is currently a Research Administrator at the University of Michigan and a freelance writer.
It's a solid dissertation, impeccably researched...
— Dirty Linen
At long last Richard Reuss's seminal study of this important era in folk music is available in book form. The book is a goldmine of names, places, songs, and events surrounding the various protest movements in the US from the late 1920s through the end of the '50s...An excellent bibliography and index add to the immense value of this work...Recommended for all collections.
— Choice Reviews
...the strength of the work lies in the abundance of interviews that Reuss conducted with American musicians and political activists, many of whom have since died. Furthermore, the question posed in the work about the relationship between folk music and left-wing politics has a resonance in today's "culture wars" and in issues of who controls the media and popular culture. It should appeal to historians interested in music, folklore, or the interplay between culture and politics...an invaluable work.
— History
Reuss's book gives a clear and objective view of the revivalist movement, valuing its contribution to the American musical scene while conceding the limitations of its political vision...The book is readable and appropriately witty in handling the Lomax artists' sometimes muddled politics and personal foibles.
— Western Folklore
This book will appeal to readers with a love of history, and fans of North American traditional music. It should also interest anyone with an interest in the relationship between the commercial enterprise of music and living or revived folk traditions...well researched.
— Greenman Review