Acknowledgments
Introduction
Chapter 1: The Beauty of Artwork Is in Its Aesthetic True Representation of Reality:
Epistemology of Creation and Evaluation of Artwork
Chapter 2: It is an Illusion that Artworks Are Fictitious Illusions as they are Actually
Aesthetic Modes of Representing Reality
Chapter 3: Epistemology of Aesthetic Experience: Criticizing and Reconstructing Kant’s
Aesthetic Theories of Genius Creativity and Judgment of Beauty
Chapter 4: Free Creation of Artwork is the Determinate Self-Control of Proving its True
Interpretation and Representation of Reality
Chapter 5: How to Square (Normo, CP:2.7) Peirceanly the Kantian Circularity in the
Epistemology of Aesthetics as a Normative Science of Creating and Evaluating the Beauty of
Artworks
Chapter 6: The Role of Productive Imagination in Creating Artworks and Discovering
Scientific Hypotheses
Chapter 7: On Post-Modern Artworks: A New Aesthetic Genre or Rather a Pseudo Concept of
Art, and then “What, After All, Is a Work of Art?”
Chapter 8: Epilog: Can we Theorize some Bizarre Aesthetic Domains – The Beauty of Music
Aesthetics, Mathematics-Theoretic, and Human-Ethic?
Bibliography
Index
About the Author