University Press of America
Pages: 214
•
Trim: 6⅜ x 9¼
978-0-7618-6428-8 • Hardback • September 2014 • $94.00 • (£72.00)
978-0-7618-6429-5 • eBook • September 2014 • $89.00 • (£68.00)
Tai Wei Lim is assistant professor of the Department of Japanese Studies at the Chinese University of Hong Kong.
List of Figures
List of Tables
Acknowledgments
Introduction
Chapter 1: Japanese Trade Ceramics in the Premodern Global Trading Space
Chapter 2: Interpretations of Japanese Modernity: A Case Study of Japan’s Energy Transition in the Ceramics Industry
Chapter 3: Energy Transition in Creative Production: Narratives and Fieldwork about Energy Use in the Ceramics-Making Industries of Hong Kong, Japan, and China
Chapter 4: Blue and White Fired Clay in Everyday Lives: An Ecology of Creative Production, Energy Use, and Aesthetics of Arita (With Comparative References to Jingdezhen)
Chapter 5: Ideas about Resource Use and the Natural Environment in Pottery-making: A Historical Comparative Case Study of Two Communities in Hong Kong and Japan
Chapter 6: Post-Modernism and Pottery-Making: A Case Study of Issues of Artistic Production, Environmental Awareness and Energy Use in Hong Kong with Comparative References to China and Japan
Chapter 7: Negotiating the Narrative of the “Last Frontier”: A Case Study of a Fourth-Generation Hong Kong Potter and his Art as well as Environmental and Ethical Consciousness through Non-Governmental Initiatives in Myanmar (Burma)
Chapter 8: Shek Kip Mei’s Artistic Green Village
Chapter 9: Fieldwork in Arita: The Ecology of the Town, its People, the Natural Environment, and its Energy Use
Chapter 10: A History of Jingdezhen Kilns, Its Development, and Energy Use (With Comparative References to Arita)
Chapter 11: Yingge – The Town, Its Developmental History, and Energy Use
Conclusion
Bibliography