AltaMira Press
Pages: 336
Trim: 6¼ x 9⅛
978-0-7591-0195-1 • Hardback • April 2002 • $150.00 • (£115.00)
978-0-7591-1671-9 • eBook • April 2002 • $142.50 • (£110.00)
J. David Lewis-Williams is Director of the Rock Art Research Institute at University of Witwatersrand, South Africa, and is known internationally for his studies of South African rock art.
Chapter 0 Foreword by David S. Whitley
Chapter 2 Acknowledgments
Chapter 3 Introduction
Chapter 4
Chapter 1 Historical setting
Chapter 5
Chapter 2 Man must measure
Chapter 6
Chapter 3 Ethnography and iconography
Chapter 7
Chapter 4 Mystery wrapped in myth
Chapter 8
Chapter 5 Through the veil
Chapter 9
Chapter 6 A dream of eland
Chapter 10
Chapter 7 Seeing and construing
Chapter 11
Chapter 8 Building bridges
Chapter 12
Chapter 9 Harnessing the brain
Chapter 13
Chapter 10 Agency, altered consciousness and wounded men
Chapter 14
Chapter 11 The social production and consumption of rock art
Chapter 15 References
Chapter 16 Index
Chapter 17 About the Author
The ideas of David Lewis-Williams, director of the Rock Art Research Institute at the University of Witwatersrand, have had a profound impact on rock art studies in southern Africa, and more recently, on the interpretation of Upper Paleolithic art...The book brings together the development of Lewis-Williams's thoughts about rock art, published between 1972-1997...A Cosmos in Stone is a valuable source for students of rock art......
— Lawrence H. Robbins
Individuals with an interest in the extensive rock art found on the Northwest Coast should consider A Cosmos in Stone indispensable.....
— Amanda Adams
This volume is a compilation of David Lewis-Williams? seminal papers. Though his data are primarily the rock art of the San (bushmen) of southern Africa and the cave art of the European Paleolithic, this book equally is about archaeological method and especially theory. Even more, it represents an intellectual achievement of the greatest historical importance. In these papers Lewis-Williams bridges the longest-lived divide in our western intellectual tradition, the opposition between science, religion andart, showing how science is necessary to understand art and religion, and how any apprehension of human social life likewise must foreground the importance of religion and art...
— David S. Whitley, author, The Art of the Shaman; editor, Archaeology of Religion series