AltaMira Press
Pages: 204
•
Trim: 6⅜ x 9½
978-0-7591-1067-0 • Hardback • December 2008 • $124.00 • (£95.00)
978-0-7591-1068-7 • Paperback • December 2008 • $52.00 • (£40.00)
978-0-7591-1233-9 • eBook • November 2008 • $49.00 • (£38.00)
Beth Krensky Beth Krensky is an assistant professor of art education and the Area Head of Art Teaching at the University of Utah. She is an artist, activist and educator. She is one of the founding members of the international artist collective, the Artnauts.Seana Lowe Steffen currently works with Mapleton Public Schools as an instructional guide training and coaching teachers in Expeditionary Learning. She has been a faculty member and was the founding director of INVST Community Studies at the University of Colorado at Boulder.
Section I. Understanding Community Art
Chapter 1. Introduction to Community Art and Community-Based Art Education
Chapter 2. The Practice of Community Art: From Setting the Stage to Making Art
Chapter 3. The Art Practitioner: Making the most of Opportunities and Challenges
Chapter 4. The Participants: Seeing the Power of Community Art
Chapter 5. The Theory behind the Practice
Section II. Modeling the Practice of Community Art
Chapter 6. Murals
Chapter 7. Photography
Chapter 8. Graphics in Posters and Billboards
Chapter 9. Video
Chapter 10. Dance
Appendices
Appendix A. A Brief History of Murals
Appendix B. A Brief History of Photography
Appendix C. A Brief History of Posters and Billboards
Appendix D. A Brief History of Video
Appendix E. A Brief History of Dance
Appendix F. General Resources
This is an indispensable book for educators, activists, and anyone interested in social justice. Krensky and Lowe Steffen's guide to community-based arts education challenges the notion that art is a luxury reserved for elites and practiced by the gifted. In their hands, art education becomes a democratic, transformative tool for invigorating blighted communities, reducing student dropout and alienation, and inspiring participants to solve social problems. Krensky and Lowe Steffen's clear, step-by-step examples show how to build partnerships between non-artists and professional artists, kids and seniors, and local communities and schools. Engaging Classrooms andCommunities through Art will inspire citizens, politicians and social service agencies to previously unheard of levels of performance, reflection and creation.
— Margaret D. LeCompte, University of Colorado, Boulder
Bravo to Krensky and Steffen for cracking the code. This publication goes beyond a descriptive survey by providing readers with a different way of knowing and creating effective community arts partnerships, thus enabling education and arts leaders to bring to life the central ideas of Shirley Brice Heath and Milbrey McLaughlin regarding the power of informal, non-classroom teaching and learning. The true winners of this publication will be our nation's youth.
— Linda Johannesen, senior author, Different Ways of Knowing; co-founder, Animate Your Learning!
From the Preface: Community artists and especially those folks who are intrigued and enthusiastic about beginning this work have been in dire need of such a guide for a long time. While most publications about community-based art have documented or described the successes and failures of already-existing projects, Krensky and Steffen actually provide information and inspiration for implementing and sustaining excellent community arts practices. The past, present, and future of this work require such a'how-to' book, especially now, when thenumber of community-based arts initiatives is exploding worldwide...
— Tim Rollins, professor of fine arts, The School of Visual Arts
Krensky and Steffen's guide to community-based arts provides a crucial guide to understanding and facilitating community arts actions as well as a theoretical construct that places community art at the center of cutting edge creative artistic investigation. This book validates the multiple roles of community-based artists as intuitive visionaries, educators and community leaders.
— Hugh J. Merrill, Kansas City Art Institute; Artistic Director, Chameleon Arts and Youth Development
Krensky and Lowe Steffen make the case for the importance of community-based art education, and outline its components and the specific steps and considerations for its implementation. Engaging Classrooms and Communities Through Art effectively addresses the praxis of community-based arts education. Krensky and Lowe Steffen provide a rich and detailed explanation of the role of the arts practitioner. At its core, Engaging Classrooms and Communities Through Art is an accessible, practical guide to implementing CBAE that will inspire and encourage.
— Shifra Teitelbaum; Teachers College Record, April 2009
Authentic dialogue, local leadership, and creative critique: all these mark this volume's approach to the arts in communities and classrooms. A convincing guide for all those who see the arts as foundational to communities' vigor, youth development, and respect for cultural continuities.
— Dr. Shirley Brice Heath, Professor at Large, Watson Institute for International Studies, Brown University
From the Preface:Community artists and especially those folks who are intrigued and enthusiastic about beginning this work have been in dire need of such a guide for a long time. While most publications about community-based art have documented or described the successes and failures of already-existing projects, Krensky and Steffen actually provide information and inspiration for implementing and sustaining excellent community arts practices. The past, present, and future of this work require such a 'how-to' book, especially now, when thenumber of community-based arts initiatives is exploding worldwide.
— Tim Rollins, professor of fine arts, The School of Visual Arts
Engaging Classrooms and Communities Through Art is a good beginning text for students interested in community-based art education....This book has many strengths. It honestly describes the hard work it takes to be successful in planning and implementing a community-based art project; it cautions art facilitators about challenges that might be faced; and it does an excellent job of articulating the process of moving through the examples that are given.
— Kristin Congdon, University of Central Florida; Art Education Journal, June 2009
Recommended
— Choice Reviews, November 2009