AltaMira Press
Pages: 272
Trim: 6¼ x 9¼
978-0-7591-0394-8 • Hardback • November 2004 • $136.00 • (£105.00)
978-0-7591-0395-5 • Paperback • November 2004 • $47.00 • (£36.00)
978-0-7591-1516-3 • eBook • November 2004 • $44.50 • (£35.00)
Fadwa El Guindi teaches in the Visual Anthropology Program at the University of Southern California. She holds a Ph.D. in anthropology from the University of Texas, Austin, and her field research includes work with Arab, Nubian, and Zapotec cultures, and Arab-Americans. She is past president of the Society for Visual Anthropology, a section of the American Anthropological Association, and author of The Myth of Ritual: A Native's Ethnography of Life-Crisis Rituals (University of Arizona Press, 1986). Her visual ethnographies include El Sebou': Egyptian Birth Ritual, El Moulid: Egyptian Religious Festival, and Ghurbal. Her most recent book, Veil: Modesty, Privacy and Resistance, is a visual, cultural, and textual analysis of the phenomenon of veiling in the Arab East.
Prelude
Introduction
Part One: Issues, Ancestry, and Genealogy
Chapter 1: History, Euro-Americanization, & New Directions
Chapter 2: For God's Sake, Margaret
Part Two: Ethnographic Film
Chapter 3: Filming Others
Chapter 4: Filming Selves
Part Three: Research Film
Chapter 5: Discovery
Part Four: Visual Ethnography
Chapter 6: From Doing Cinema to Doing Anthropology
Chapter 7: Parameters for Visual Ethnography
Conclusion
References
Visuals Cited
Visual Anthropology is a much needed comprehensive text that makes a convincing case for the intellectual as well as pedagogical value of ethnographic film and other visual anthropology media. It incorporates a thorough international history of thegenre with substantive analysis of themes and perspectives. Not only is it a theoretical tour-de-force, but it also has great practical utility and will be particularly welcomed by anyone teaching courses in ethnographic film. Those using film and other visual materials in their teaching will also find this book useful since it provides many contexts for creatively integrating visual aids into introductory and upper level courses. A must for all anthropologists...
— Peter Allen, Professor of Anthropology
Fadwa El Guindi offers in this new study a sweeping analysis of the achievements of visual anthropology's century-old history. Grounded in a solid understanding of her subject, she explores numerous older approaches to visual anthropology as well as thosethat have come in the past decade with the worldwide web, DVD and CD-ROM data storage, light-weight digital cameras, the changed political environment since 2001, and the newly realized public need for public presentations about world Islam, women in traditional society, and modern power relations. This is a book which, because of its broad coverage and the many cogent questions raised, will certainly find wide use in film and anthropology classes as well as on the shelves of professional scholars...
— Paul Hockings, Editor-in-Chief
With this truly innovative book, El Guindi presents us with the first unified view of Visual Anthropology, not merely as a subfield of anthropology, but as a theoretically and methodologically engaged ethnographic practice. In this new perspective, VisualAnthropology breaks the traditional boundaries of the anthropological discipline and its habitual reliance on words by embracing the use of modern technology such as photography, film, video, or any multimedia employed for the discovery and communicationof insights on culture and humankind...
— Marcelo Fiorini Marcelo Fiorini
This analytical survey represents exactly what is needed in our discipline at the present time. Suddenly the whole field of visual anthropology acquires intellectual transparency and a deeper theoretical relevance. I am already using El Guindi's methodology and her visual methods chapter of the Handbook of Methods in Cultural Anthropology in the workshop training I am giving in Sikkim, among the Lepcha of the eastern Himalayas, and in lectures I give worldwide. This book, with its innovative methodology, its microanalysis of Mead & Bateson's conversation, and the new paradigm of the discipline's genealogy, is a must for all anthropology courses and particularly those concerned with the visualization of culture...
— Asen Balikci, anthropologist and filmmaker
It will be an important teaching text and its value to students should not be underestimated. The strengths of this book are that it makes doing visual anthropology comprehensible through real projects; offers first-hand accounts of the technologies the author has used; uses the issues and concerns that are embedded in her own work to demonstrate the role visual anthropology can play in public contexts....
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