AltaMira Press
Pages: 504
Trim: 6¼ x 9¼
978-0-7591-0347-4 • Hardback • June 2003 • $145.00 • (£112.00)
978-0-7591-0348-1 • Paperback • June 2003 • $69.00 • (£53.00)
Norman K. Denzin is professor of sociology and communications at the University of Illinois at Urbana-Champaign. He is co-editor of The Handbook of Qualitative Research, 2/e, co-editor of Qualitative Inquiry, editor of Cultural Studies—Critical Methodologies, and series editor of Studies in Symbolic Interaction; Yvonna S. Lincoln is Professor of Higher Education and Human Resource Development. She is the co-author of Effective Evaluation, Naturalistic Inquiry, and Fourth Generation Evaluation, the editor of Organizational Theory and Inquiry, the co-editor of the newly-released Handbook of Qualitative Research, 2nd Edition, and co-editor of the international journal, Qualitative Inquiry.
Part 1 Part One: The Revolution of Representation
Part 2 Feminist and Race/Ethnic Studies Discourses:
Chapter 3 1. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective
Chapter 4 2. Toward an Afrocentric Feminist Epistemology and Ethics
Chapter 5 3. Defining Feminist Ethnography
Part 6 The Subaltern Speaks:
Chapter 7 4. I, Rigoberta Menchu: An Indian Woman in Guatemala
Part 8 The "Voice From Nowhere" Gets to Speak: Autoethnography and Personal Narratives
Chapter 9 5. The Way We Were, Are, and Might Be: Torch Singing as Autoethnography
Part 10 Part Two: The Revolution in Authority
Chapter 11 6. On Ethnographic Authority
Part 12 Part Three: The Revolution of Legitimation
Chapter 13 7. Thick Description: Toward an Interpretive Theory of Culture
Chapter 14 8. Quality in Qualitative Research
Chapter 15 9. Issues of Validity in Openly Ideological Research: Between a Rock and a Soft Place
Part 16 Part Four: The Ethical Revolution
Chapter 17 10. Ethics: The Failure of Positivist Science
Part 18 Part Five: The Methodological Revolution
Chapter 19 11. Interviewing Women: A Contradiction in Terms
Chapter 20 12. On the Use of Camera in Anthropology
Chapter 21 13. Taking Narrative Seriously: Consequences for Method and Theory in Interview Studies
Chapter 22 14. Representing Discourse: The Rhetoric of Transcription
Part 23 Part Six: The Crisis in Purpose: What is Ethnography For, and Whom Should it Serve?
Chapter 24 15. Can Ethnographic Narrative be a Neighborly Act?
Chapter 25 16. Rethinking Ethnography: Towards a Critical Cultural Politics
Part 26 Part Seven: The Revolution in Presentation
Chapter 27 17. Writing: A Method of Inquiry
Part 28 Performance Ethnography and Ethno-drama:
Chapter 29 18. Performing as Moral Act: Ethical Dimensons of the Ethnography of Performance
Chapter 30 19. The Theater of Ethnography: The Reconstruction of Ethnography into Theater With Emancipatory Potential
Part 31 Poetics - Anthropological and Ethnographic:
Chapter 32 20. Reflections: The Anthropological Muse
Part 33 Part Eight: The Future of Ethnography and Qualitative Research
Chapter 34 21. Personal Narrative, Performance, Performativity: Two or Three Things I Know for Sure
Chapter 35 22. Performance, Personal Narratives and the Politics of Possibility
Chapter 36 23. The Anthro in Cali
Chapter 37 24. Shaman
Chapter 38 Tango for One