Rowman & Littlefield Publishers
Pages: 272
Trim: 6 x 9¼
978-0-7425-3796-5 • Hardback • January 2005 • $168.00 • (£131.00)
978-0-7425-3797-2 • Paperback • January 2005 • $59.00 • (£45.00) - Currently out of stock. Copies will arrive soon.
978-1-4616-6579-3 • eBook • January 2005 • $56.00 • (£43.00)
Paul Heyer is professor of communication studies at Wilfrid Laurier University.
Chapter 1 Acknowledgments
Chapter 2 Introduction: A Man for All Media
Part 3 Part I: The Road to CBS
Chapter 4 1 A Voice is Born
Chapter 5 2 Theatrical Notoriety, Radio Anonymity
Chapter 6 3 Mercury Theatre on the Air
Part 7 Part II: Mercury Does Mars: The Panic Broadcast
Chapter 8 4 Genesis
Chapter 9 5 Exodus
Chapter 10 6 Revelation
Part 11 Part III: The Sound in the Fury
Chapter 12 7 Campbell Playhouse
Chapter 13 8 Orson at RKO
Chapter 14 9 The Last Radio Shows
Chapter 15 Epilogue
Chapter 16 Selected Radiography
Chapter 17 Notes
Chapter 18 Bibliography
A very insightful window into a creative period that was all too short.
— Communication Booknotes Quarterly
Heyer's brilliance in developing this book is based on formidable research into Welles' creative output, interviews, books, papers, studies, and transcripts of every aspect or person that entered Welles's career.... Impressive
— Anne Leighton; H-Net: Humanities and Social Science Reviews Online
At last Orson Welles's radio work gets the attention it deserves! Paul Heyer makes the compelling case that Welles should be regarded as a formidable creative force in radio as much as he is in film and theater, backing it up with impressive research and a lively, engaging writing style. This fascinating study sheds light not just on Welles's work generally, but on U.S. radio history and the emergence of sound as an art form.
— Michele Hilmes, author of Radio Voices: American Broadcasting, 1922-1952