Rowman & Littlefield Publishers
Pages: 248
Trim: 6¼ x 9¼
978-0-7425-1091-3 • Hardback • November 2003 • $101.00 • (£78.00)
978-0-7425-1092-0 • Paperback • November 2003 • $28.95 • (£19.99)
978-0-7425-7344-4 • eBook • November 2003 • $27.50 • (£19.99)
Michael Anderegg is professor of English and film studies at the University of North Dakota. He is the author of William Wyler (1979), David Lean (1982), and the editor of Inventing Vietnam (1991). His most recent book is Orson Welles, Shakespeare, and Popular Culture (1999).
Chapter 1 Series Forward Genre and Beyond: A Film Studies Series
Chapter 2 Introduction: The Shakespeare Film and Genre
Chapter 3 Finding the Playwright on Film
Chapter 4 The Challenges of Romeo and Juliet
Chapter 5 In and Out of Hollywood: Shakespeare in the Studio Era
Chapter 6 Branagh and the Sons of Ken
Chapter 7 Electronic Shakespeares: Televisual Histories
Chapter 8 Post-Shakespeares
Anderegg's witty, user-friendly, and exquisitely detailed analysis of film's effort to retain even as it reconstitutes 'Shakespeare' for changing audiences at crucial historical junctures distinguishes this book as a vital contribution to the combined fields of Shakespeare and Film Studies, as well as a sheer delight to read.
— Courtney Lehmann, University of the Pacific
Zestfully and engagingly written, informed by a commanding knowledge of performance and cinematic traditions, Michael Anderegg's overview of the twentieth century's approaches to bringing Shakespeare to the screen is consistently fresh and provocative. His sharply-etched assessments of a remarkable range of films emphasize the ways in which Shakespearean actors and directors have used (and abused) the cinematic medium and its generic conventions. Anderegg's insightful commentary on the relatively neglected topic of Shakespeare on TV is especially welcome. His is a valuable and important contribution to the scholarship on Shakespeare's afterlife in moving pictures.
— Douglas Lanier, University of New Hampshire
This volume will be valuable to those interested in both Shakespeare and film adaptation. Recommended.
— Choice Reviews
A valuable guide to the ongoing challenge of "representing" Shakespeare as a textual and cultural classic.
— Cineaste, Fall 2009
Michael Anderegg follows up his wonderful book on Orson Welles and Shakespeare with an engaging and wide-ranging account of Cinematic Shakespeare. Anderegg casts his lively and judicious critical intelligence over film and television adaptions of Shakespeare from the big Hollywood studios to the Maurice Evans/George Schaefer Hallmark 'Hall of Fame' productions to the more recent films of Branagh, Nunn, Loncraine, Hoffman, and Noble. He has interesting and discerning 'takes' on all of these productions and his book is an important and welcome addition to the growing critical literature devoted to Shakespeare on Film.
— Samuel Crowl, Ohio University