Lexington Books
Pages: 282
Trim: 6¼ x 9¼
978-0-7391-9157-6 • Hardback • April 2014 • $133.00 • (£102.00)
978-0-7391-9448-5 • Paperback • April 2017 • $59.99 • (£46.00)
978-0-7391-9158-3 • eBook • April 2014 • $57.00 • (£44.00)
Benjamin Fraser is associate professor of Spanish film and cultural studies at the College of Charleston.
TABLE OF CONTENTS
Acknowledgments
Foreword: Urbanism as World Culture and Here Comes Everybody by Andy Merrifield
Introduction: What Is Urban Culture? by Benjamin Fraser
Part I. MOBILIZING THE FILMIC CITY
Chapter 1. The Archive City: Film as Critical Spatial Practice
Les Roberts
Chapter 2. Capital, Mobility and Spatial Exclusion in Fernando León de Aranoa’s Barrio (1998)
Malcolm Alan Compitello
Part II. THE HUMAN SENSES IN URBAN CONTEXTS
Chapter 3. Henri Lefebvre in Strasbourg: The City as Use Value in José Luis Guerín’s Dans la ville de Sylvie (2007)
Benjamin Fraser
Chapter 4. Sensing Capital: Sight, Sound and Touch in Esteban Sapir’s La antena (2007)
Benjamin Fraser
Part III. CULTURES OF URBAN PROTEST
Chapter 5. Psychoprotest: Dérives of the Quebec Maple Spring
Marc James Léger and Cayley Sorochan
Chapter 6. The Huelga de Dolores and Guatemalan University Students’ ‘Happy and Wicked’ Reproduction of Space, 1966-1969
Heather A. Vrana
Part IV. THE HOUSING QUESTION
Chapter 7. Residential Differentiation in the Vertical Cities of J. G. Ballard and Robert Silverberg
Jeff Hicks
Chapter 8. Red Vienna, Class and the Common
Kimberly DeFazio
Part V. (INTER)NATIONALIZING THE URBAN
Chapter 9. Urban Culture as Passive Revolution: A Gramscian Sketch of the Uneven and Combined Transitional Development of Rural and Urban Modern Culture in Europe and Egypt
Jelle Versieren and Brecht De Smet
Chapter 10. The Urban Working-Class Culture of Riot in Osaka and L.A.: Toward a Comparative History
Manuel Yang, Takeshi Haraguchi, and Kazuya Sakurada
Index
Notes on Contributors
This is a bold, thoughtful, and transformative book on ‘the urban’ as a point of encounter that enables an interdisciplinary understanding and transcending of alienation in urban culture from a Marxist point of view. It is required reading for anyone seeking to challenge the ‘dematerialising’ condition of urban culture in and beyond the academy.— Adam David Morton, Professor of Political Economy, University of Sydney
A wide-ranging and compelling set of essays, which demonstrate the continuing importance of spatial theory in the political interpretation of books and films. This rich and evocative collection unearths both the spectacular and mundane political life of cities as diverse as Vienna, Osaka, and Liverpool, and follows a multitude of characters as they navigate the radical possibilities of their times. As serious as it shows the study of space and power to be, this is also an enjoyable travelogue through the political geographies of the capitalist city.— Donald McNeill, professor of urban and cultural geography, Institute for Culture and Society, Western Sydney University