Lexington Books
Pages: 224
•
Trim: 6 x 9
978-0-7391-8957-3 • Hardback • May 2016 • $116.00 • (£89.00)
978-1-4985-3747-6 • Paperback • March 2018 • $49.99 • (£38.00)
978-0-7391-8958-0 • eBook • May 2016 • $47.50 • (£37.00)
Etienne Terblanche teaches and researches poetry at the Potchefstroom Campus of the North-West University in South Africa
Introduction and Chapter Outline: T. S. Eliot, Nature Poet?
Chapter 1
Rock Solid Proof, Or: The Matter with Prufrock
Chapter 2
Dislocation: Dearth, Desert, and Global Warming
Chapter 3
Location: Mandalic Structure in The Waste Land
Chapter 4
Immersion: The Authentic Jellyfish, the True Church, and the Hippopotamus
Chapter 5
Dissolving: The Name of the Lotos Rose
Chapter 6
Bad Orientalism: Eliot, Edward Said, and the Moha
Chapter 7
The Tyrannies of Differentiation: Eliot, New Materialism, and “Infinite Semiosis”
Conclusion
Where does the Truth of New Materialism Lie?: A Response Based on Eliot’s Poetry
In this groundbreaking study of T. S. Eliot’s work, Terblanche draws on ecocriticism and Buddhism to argue that the poet had a profound relationship with the earth, defined as a system of material and aesthetic realities in which humans are entangled and interconnected. His readings of ‘The Love Song of J. Alfred Prufrock,’ The Waste Land, and Four Quartets demonstrate Eliot’s awareness of Becoming and his belief in keeping time with the changes of our lives. Building on the insights of ‘new materialism,’ he convincingly supports Eliot’s belief in poetry as embodiment. In this fine study, Terblanche both extends and interrogates previous criticism on the twentieth-century’s premier poet.
— Jewel Spears Brooker, Professor Emerita, Eckerd College
Etienne Terblanche shows us how Eliot’s poetry, antennae-like, reaches ahead, already anticipating the fallout of the Anthropocene and the dry sterility and dislocation of infinite semiosis. The response? Poet and poet-scholar co-create a poetics of immersion. We follow algae, jellyfish, sea anemones, hippopotamuses, porpoises—even the failure of Prufrock’s 'ragged claws'—into a streetless expanse of originary, vibrant, and agentic Earth. In short, the book dares to affirm.
— Aaron M. Moe, author of Zoopoetics: Animals and the Making of Poetry
This is a timely and ambitious exploration of the significance of nature to the life and work of T. S. Eliot. In its examination of the centrality of the Earth to the poet it makes an important contribution to the continuing extension of ecocriticism and suggests new ways of reading Eliot's work that recognize the breadth and complexity of modern relationships to place.
— Elizabeth Harris, Manchester Metropolitan University