Lexington Books
Pages: 182
•
Trim: 6¼ x 9⅜
978-0-7391-8955-9 • Hardback • January 2015 • $114.00 • (£88.00)
978-0-7391-8956-6 • eBook • January 2015 • $108.00 • (£83.00)
James M. Thomas is assistant professor in the Department of Sociology and Anthropology at the University of Mississippi.
Table of Contents
Acknowledgments
Chapter 1: Introduction
Chapter 2: Into the Field: The Comedy Kitchen and Helter Skelter
Chapter 3: Affective Labor and The Comedy Kitchen
Chapter 4: Affective Labor and Helter Skelter
Chapter 5: Assembling Order in Stand-Up Comedy
Chapter 6: Stand-Up Comedy, Urban Nightlife, and Affective-Cultural Assemblages
Chapter 7: Coda – Soleil
Chapter 8: Conclusion
Appendix A: Methodology
Bibliography
In a field saturated with hermeneutical accounts of why stand-up comics do as they do, how their discourse functions, and the political efficacy of their work, James M. Thomas’s Working to Laugh is a welcome re-training of the scholarly lens.... Thomas’s text...is well-written and describes his sociological study, methods, and results vividly. His forceful but tempered attention to social inequalities, which I suspect stems from his academic background in race and women’s studies, is an ever-present companion in this book’s scrutiny of American comedy. But it is his serious theoretical investment and interest in affect and assemblage theory that really makes this book unique.... Working to Laugh is an important contribution to American humor studies. Thomas’s sociological and ethnographic accounts model a solid academic reading of nightlife comedy that combines theory and practice in an approachable and principled way, providing a lucid and accessible demon-stration to scholars investigating American humor, Western capitalism and culture, and race and gender studies.
— Studies in American Humor
The author uses a grounded theoretical approach. . . .The book fills a needed gap in the literature.
— Symbolic Interaction
Paraphrasing E.B.White, writing about humor is one of the easiest ways to kill it. Fortunately, Thomas is able to keep it alive by showing how humor remains a key site for political discourses of discontent. The places where comedy happens prove to be important mediums for delivering and receiving critical commentary about the multiple social worlds we move in, through, and around. And such commentary—along with laughter—may be the best medicine for some of the most persistent social ills of urban life.
— Michael Borer, University of Nevada, Las Vegas
James Thomas has an incredible eye for ethnographic detail. He manages to move deftly between vignettes and theory, offering vivid examples of what might otherwise be inaccessible concepts. Thomas’ analysis of race, power, and comedy moves the Sociology of culture in exciting new directions.
— William Ryan Force, Western New England University