Lexington Books
Pages: 146
•
Trim: 6⅜ x 9½
978-0-7391-8793-7 • Hardback • December 2014 • $114.00 • (£88.00)
978-1-4985-0738-7 • Paperback • June 2016 • $54.99 • (£42.00)
978-0-7391-8794-4 • eBook • December 2014 • $52.00 • (£40.00)
Peter Bjelskou teaches American history, politics, and cultural studies at the University of Copenhagen.
Part I
Chapter 1: Introduction
Chapter 2: From Midcentury Housewives to Martha Stewart: Women and Products as a Staple in U.S. Television
Chapter 3: Zeitgeist and Camp at Bravo TV
Part II
Chapter 4: The Entrepreneurial Housewife: Jill Zarin and Alex McCord’s Branded Versions of the Domestic Goddess
Chapter 5: The Curious Presence of the Upper Class in Reality TV: Countess LuAnn de Lesseps and Sonja Tremont Morgan
Chapter 6: Embodying Neoliberalism: Bethenny Frankel’s Skinnygirl Empire
Conclusion
[T]his book-length study of The Real Housewives of New York City offers sustained analysis of the show’s housewife-entrepreneur stars. . . .I learnt a great deal from Bjelskou’s opening overview of ‘Women and Products as a Staple in US Television’, as well as from the following chapter on the branding of RHONY’s network Bravo TV. . . . Bjelskou remind[s] us forcefully that the medium’s capacity for bestowing value on products outside itself cannot be detached from the specific representational politics of its particular mode of entertainment.
— Critical Studies in Television: The International Journal of Television Studies
Peter Bjelskou admirably synthesizes a half century of cultural critiques of the audience/commodity nexus, and takes the critique a full step further in his groundbreaking analysis of Real Housewives of New York. This Bravo cable reality show features women who are neither "real" nor "housewives," but are the most current version of the modernist conflation of hucksterism and culture. Identifying matches between everyday life and television is the holy grail of cultural studies, and Branded Women in U.S. Television is a solid new contribution. Scholars and students of media, cultural, and American studies will appreciate the accessibility of Bjelskou’s treatment of this important topic.
— Frederick Wasser, professor of television and radio, Brooklyn College CUNY
In this exceptionally well-written book, Bjelskou skillfully navigates Bravo’s commercial offerings where viewers are regaled with narratives of conspicuous consumption and not the everyday lives of average housewives. Here is a clear view into television’s latest entertainment that explains in detail how these programs make cultural sense of the present neoliberal moment. Ultimately these insights reveal a new level of commodification where product-pushing housewives become themselves, the brand.
— Robin Andersen, Professor of Communication and Media Studies, Fordham University, New York City