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Zoopoetics Animals and the Making of Poetry
978-0-7391-8662-6 • Hardback
December 2013 • $80.00 • (£49.95)
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978-0-7391-8663-3 • eBook
December 2013 • $79.99 • (£49.95)

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Pages: 170
Size: 6 1/4 x 9 1/2
By Aaron M. Moe
 
Literary Criticism | Poetry
Lexington Books
Zoopoetics assumes Aristotle was right. The general origin of poetry resides, in part, in the instinct to imitate. But it is an innovative imitation. An exploration of the oeuvres of Walt Whitman, E. E. Cummings, W. S. Merwin, and Brenda Hillman reveals the many places where an imitation of another species’ poiesis (Greek, makings) contributes to breakthroughs in poetic form. However, humans are not the only imitators in the animal kingdom. Other species, too, achieve breakthroughs in their makings through an attentiveness to the ways-of-being of other animals. For this reason, mimic octopi, elephants, beluga whales, and many other species join the exploration of what zoopoetics encompasses. Zoopoetics provides further traction for people interested in the possibilities when and where species meet.

Gestures are paramount to zoopoetics. Through the interplay of gestures, the human/animal/textual spheres merge making it possible to recognize how actual, biological animals impact the material makings of poetry. Moreover, as many species are makers, zoopoetics expands the poetic tradition to include nonhuman poiesis.
Aaron M. Moe has a doctorate degree in literary studies from Washington State University.

Contents

Abbreviations
Preface
Part 1: Foundations
Prelude: The Coat of a Horse
1 Zoopoetics: An Introduction
Interlude: Mimic Octopi
2 Walt Whitman & the Origin of Poetry
Interlude: Cats
3 “Whose poem is this?”: E. E. Cummings’ Zoopoetics
Part 2: Implications
Interlude: Beluga Whales
4 “learning my steps”: Zoopoetics and Mass
Extinction in W. S. Merwin’s Poetry
Interlude: Elephants
5 The Zoopoetics of a Multispecies Polis: Brenda
Hillman’s Practical Water
Postlude: Owls
Bibliography
Index
About the Author
Zoopoetics is an original, lucid examination of how animals shape the human art of poetry. Drawing upon the foundational work of such scholars as Paul Shepard, Donna Haraway, and David Abram, Aaron Moe uses the Derridian concept of ‘zoopoetics’ to deepen our understanding of language and our understanding of what animals mean to humans. Without other species, we might be essentially voiceless. This is a significant study of ‘animality,’ one of the central paradigms in the field of ecocriticism.

Scott Slovic, University of Idaho, editor of ISLE: Interdisciplinary Studies in Literature and Environment


Aaron Moe’s Zoopoetics lucidly demonstrates that poetry is a shared space in which human and other animals may ‘stretch toward’ each other, a space in which many of our best poets in English attend to nonhuman poiesis. This is a timely and important contribution to ecocriticism and animal studies.
Helena Feder, author of Ecocriticism and the Idea of Culture


 
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