Lexington Books
Pages: 206
•
Trim: 6 1/2 x 9 1/2
978-0-7391-4361-2 • Hardback • February 2011 • $92.00 • (£65.00)
978-0-7391-8332-8 • Paperback • July 2013 • $44.99 • (£29.95)
978-0-7391-4363-6 • eBook • February 2011 • $42.50 • (£29.95)
Laura Reeck is associate professor of French at Allegheny College.
Chapter 1 Preface
Chapter 2 Introduction
Part 3 Part I: Institutional Authorship and Cultural Literacy
Chapter 4 Chapter One: Culture Wars and Critical Debate around Azouz Begag
Chapter 5 Chapter Two: Outline of the Postcolonial Absurd in Farida Belghoul's Georgette!
Part 6 Part II: Literary Adventurers and the World
Chapter 7 Chapter Three: New Maps, New Conversations with Leïla Sebbar
Chapter 8 Chapter Four: Telling Self and Telling History in Saïd Mohamed's La Honte sur nous
Part 9 Part III: Writing on the Edge/from the Periphery
Chapter 10 Chapter Five: Moving In and Beyond "écrivain de banlieue" with Rachid Djaïdani
Chapter 11 Chapter Six: Violence and Poetry: Mohamed Razane and Qui fait la France?
Chapter 12 Conclusion
Writerly Identities in Beur Fiction and Beyond presents insightful analyses both of established Beur authors and classics of that literature and of more recent writers and works. This book is a must-read for anyone interested not only in contemporary French Studies, but also in immigrant literature, comparative literature, postcolonial studies, and Arab studies.
— Michele Bacholle-Boskovic, Eastern Connecticut State University, author of Un passé contraignant: double bind et transculturation
The focus of this book is provided by postcolonial writing in France. Laura Reeck traces the evolution of this extensive corpus of works, locating these contributions within the context of contemporary cultural, political, and social challenges associated with the unresolved legacy of colonialism, arguing for their pertinence to current debates on Republican ideals and values and to the treatment of underrepresented communities, and underscoring their vital role in expanding perceptions of multicultural realities. The result is a more rigorous and comprehensive understanding of culture and politics in contemporary France.
— Dominic Thomas, Letessier Professor of French and francophone studies, UCLA, author of "Black France" and "Africa and France"
Laura Reeck publie ici son premier ouvrage consacré à quelques écrivains français classés - relégués ? - par la doxa dans le rayon des auteurs "beurs" ou "écrivains de banlieue". A chacun, elle consacre un chapitre. Elle ne se contente pas d'y analyser les œuvres des uns et des autres mais se livre également à des mises en perspectives théoriques, sociales et biographiques. Elle illustre ainsi, avec rigueur et conviction, la fameuse opinion qui veut que la littérature en dise plus sur nos sociétés et sur leur devenir que nombre de doctes traités, lourdement lestés de statistiques. A l'ère du chiffre-roi, les poètes ne seraient pas tout à fait morts…
— Mustapha Harzoune, Cité nationale de l'histoire de l'immigration
Reeck (Allegheny College) provides insightful, well-documented analyses of important Beur/banlieue novels from the 1980s to the present, while problematizing the labels 'Beur' literature and 'banlieue' fiction. She also offers discerning comments on the social and political contexts from which these works emerged, and examines the broader issues of immigration, integration, education, cultural diversity, and national identity in France. All the novels studied are Bildungsromane in which the themes of writing and becoming (authorship and self-authorship) are closely interconnected. The book comprises three parts: the first features novels whose protagonists are young children learning how to write in a school context; the second includes novels about runaway teenagers engaged in storytelling; the third is devoted to authors-characters writing about life in the banlieues within the banlieues. The author concludes by relating the narratives studied to the concept of 'rooted and vernacular' cosmopolitanism, inviting all readers to explore the world starting at home then reaching out to others to learn about differences. Summing Up: Recommended. Upper-division undergraduates through faculty.
— Choice
Writerly Identities provides a nuanced presentation of both established and emerging voices of
Beur and banlieue fiction, and is best suited for an advanced undergraduate course or graduate
seminar on Beur and banlieue film and fiction. The main strength of Writerly Identities lies in
Reeck’s sophisticated close readings, however, and her focus on the practice and politics of
writing in the banlieue. As such, it constitutes an important and original contribution to the field
of Beur and banlieue studies, providing a welcome break from the autobiographical
interpretations that prevail in the mainstream reception of these works.
— H-France Review