Lexington Books
Pages: 158
Trim: 6¼ x 9⅜
978-0-7391-7512-5 • Hardback • December 2013 • $117.00 • (£90.00)
978-0-7391-7513-2 • eBook • December 2013 • $111.00 • (£85.00)
Mahriana Rofheart is a lecturer in the Department of Foreign Languages and Literatures at the University of North Carolina Wilmington.
Preface
Part I: Historical Contexts: Mid-Twentieth Century Senegal
1: Introduction: Beyond the Fou and the Failed Scholar
2: Between Text and Film: Emigration in the work of Ousmane Sembène and Djibril Diop Mambéty
Part II: Writing Elsewhere: Mobile Texts and Authors
3: Return as Rehabilitation: The Novels of Aminata Sow Fall and Ken Bugul
4: Fatou Diome’s View from Afar in Le Ventre de l’Atlantique and Kétala
Part III: Global Dialogues on Departure
5: Hip-Hop Galsen: Local and Global Approaches to Migration
6: Documentaries Here and There: The “Truth”about Life Abroad
Conclusion
Works Cited
Index
About the Author
[This book] is an ambitious bid to document evolving patterns and perceptions of Senegalese-based migration across time and genre. . . .It is both helpful and pleasing to see careful critical engagement with such details as the distinction between hip-hop and rap . . . Indeed, Rofheart’s determined and persuasive desire to carve out a space for these more contemporary platforms of expression is perhaps its most valuable contribution and is sure to prompt future scholarly directions.
— Research in African Literatures
This examination of an impressive array of Senegalese films, videos, literature, and music provides for a discerning analysis of the complex relationship between diasporic and national communities, the articulation of local and national politics, and how in turn these conversations have been influenced by globalized migratory and technological networks. Ultimately, the observations and insights made in Shifting Perceptions of Migration in Senegalese Literature, Film, and Social Media serve to elucidate the complexity of the contemporary landscape of Senegalese politics and society.
— Dominic Thomas, University of California, Los Angeles
While fully conversant with postcolonial theory and recent studies of Francophone African literature, Rofheart hews her own critical path, taking the reader along as she accompanies the Senegalese migrant of the past century from the Sahara to Dakar to Paris and finally into the transnational and inter-cultural beyond of YouTube and other social media.
— Richard Serrano, Rutgers University