Violent Beginnings

Literary Representations of Postcolonial Algeria

Lucie Knight-Santos

From a colonial campaign that was envisioned by France as the redemption of its Algerian “children" through Western civilization to Algerian Independence that was lived by both parties as a bloody divorce; recent Algerian history has been imagined and represented in terms of the family. Prominent authors such as Kateb Yacine and Mouloud Mammeri pondered their own fate during the War of Independence as the “mixed” children of a failed colonial marriage. Contemporary postcolonial authors such as Rachid Boudjedra, Yasmina Salah, and Arezki Mellal have filled their narratives with orphaned children searching for ideal parents as a civil war ripped Algeria apart in the 1990s.
Violent Beginnings: Literary Representations of Postcolonial Algeria explores how violence, during the War of Independence (1954–1962) to the more recent civil war (1991–2002), has shaped literary representations of both family and nation in contemporary literature. For example, discussions of the struggle for independence in Assia Djebar’s La femme sans sépulture and Ahlam Mostaghanemi’s Memory of the Flesh, represent sexual torture associated with this earlier war period as having a negative impact on victims’ ability to have children and contribute to the development of the Algerian nation. Texts examining the more recent civil war such as Rachid Boudjedra’s La vie à l’endroit and Yasmina Salah’s Glass Nation establish a link between the earlier violence of the independence struggle and contemporary events. Additionally, these texts proceed to demonstrate how violence has shaped familial and national structures, more specifically causing distorted familial bonds and political chaos in contemporary Algerian society.

Lexington Books

Pages: 128 • Trim: 6½ x 9½

978-0-7391-7164-6 • Hardback • October 2014 • $92.00 • (£71.00)

978-0-7391-7165-3 • eBook • October 2014 • $87.00 • (£67.00)

Subjects: Literary Criticism / African, History / Africa / North, Political Science / Colonialism & Post-Colonialism, Social Science / Children's Studies, Literary Criticism / Modern / 20th Century, Literary Criticism / Subjects & Themes / Historical Events, Social Science / World / Africa, Literary Criticism / Critical Theory / Postcolonialism

Violent Beginnings

Literary Representations of Postcolonial Algeria

Hardback

eBook

Summary

From a colonial campaign that was envisioned by France as the redemption of its Algerian “children" through Western civilization to Algerian Independence that was lived by both parties as a bloody divorce; recent Algerian history has been imagined and represented in terms of the family. Prominent authors such as Kateb Yacine and Mouloud Mammeri pondered their own fate during the War of Independence as the “mixed” children of a failed colonial marriage. Contemporary postcolonial authors such as Rachid Boudjedra, Yasmina Salah, and Arezki Mellal have filled their narratives with orphaned children searching for ideal parents as a civil war ripped Algeria apart in the 1990s.
Violent Beginnings: Literary Representations of Postcolonial Algeria explores how violence, during the War of Independence (1954–1962) to the more recent civil war (1991–2002), has shaped literary representations of both family and nation in contemporary literature. For example, discussions of the struggle for independence in Assia Djebar’s La femme sans sépulture and Ahlam Mostaghanemi’s Memory of the Flesh, represent sexual torture associated with this earlier war period as having a negative impact on victims’ ability to have children and contribute to the development of the Algerian nation. Texts examining the more recent civil war such as Rachid Boudjedra’s La vie à l’endroit and Yasmina Salah’s Glass Nation establish a link between the earlier violence of the independence struggle and contemporary events. Additionally, these texts proceed to demonstrate how violence has shaped familial and national structures, more specifically causing distorted familial bonds and political chaos in contemporary Algerian society.

Details

Lexington Books

Pages: 128 • Trim: 6½ x 9½

978-0-7391-7164-6 • Hardback • October 2014 • $92.00 • (£71.00)

978-0-7391-7165-3 • eBook • October 2014 • $87.00 • (£67.00)

Subjects: Literary Criticism / African, History / Africa / North, Political Science / Colonialism & Post-Colonialism, Social Science / Children's Studies, Literary Criticism / Modern / 20th Century, Literary Criticism / Subjects & Themes / Historical Events, Social Science / World / Africa, Literary Criticism / Critical Theory / Postcolonialism

Author

Lucie Knight-Santos is an instructor at the Hun School of Princeton where she teaches Arabic language, French language, and literature courses.

Table of Contents

Table of Contents
Introduction
Chapter One: The Text(ure) of Torture
Chapter Two: Internal Exclusions
Chapter Three: Representations of the Postcolonial Algerian Family
Conclusion
Bibliography

Reviews

Knight-Santos’ engaging and solid study of Algeria's traumatic history through the lenses of gender and literature provides an original and provocative contribution to Arabic literary criticism and to postcolonial theory.

— Miriam Cooke, Duke University

Violent Beginnings

Literary Representations of Postcolonial Algeria

Lucie Knight-Santos

Violent Beginnings

Literary Representations of Postcolonial Algeria

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