Preface
Introduction, Richard King and Cody Poulton
Section I: A Shared Heritage
Chapter 1: Richard John Lynn, Straddling the Tradition-Modernity Divide: Huang Zunxian (1848-1905) and His Poems on Miscellaneous Subjects from Japan
Chapter 2: Atsuko Sakaki, Waves from Opposing Shores: Exchanges in a Classical Language in the Age of Nationalism
Chapter 3: Faye Yuan Kleeman, Pan-Asian Romantic Nationalism: Revolutionary, Literati, and Popular Oral Tradition and the Case Of Miyazaki Toten
Section II: Confrontations with the Modern
Chapter 4: Viren Murthy, On the Emergence of New Concepts in Late Qing China and Meiji Japan: The Case of Religion
Chapter 5: Karen L. Thornber, Collaborating, Acquiescing, Resisting: Early Twentieth Century Chinese Transculturation of Japanese Literature
Chapter 6: Siyuan Liu, Lu Jingruo and the Earliest Transportation of Western-Style Theatre from Japan to China
Section III: The Culture of Occupation
Chapter 7: Yiman Wang, Affective Politics and the Legend of Yamaguchi Yoshiko/ Li Xianglan
Chapter 8: Michael Bourdaghs, Japan’s Orient in Song and Dance
Chapter 9: Annika A. Culver, Manchukuo and the Creation of a New Multi-Ethnic Literature: Kawabata Ysunari’s Promotion of “Manchurian” Culture
Section IV: Coming to Terms with History
Chapter 10: Leo Ching, Colonial Nostalgia or Postcolonial Anxiety: The Dosan Generation In-Between “Restoration” and “Defeat”
Chapter 11: Cody Poulton, The Road Taken, Then Retraced: Morimoto Kaoru’s A Woman’s Life and Japan in China
Chapter 12: Elizabeth Wichmann-Walczak, Re-acting an Actor’s Reaction to the Occupation: the Beijing Jingju Company’s Mei Lanfang
Chapter 13: Richard King, “But Perhaps I Did Not Understand Enough”: Kazuo Ishiguro and Dreams of Republican Shanghai