Lexington Books
Pages: 146
•
Trim: 6½ x 9½
978-0-7391-7117-2 • Hardback • May 2013 • $82.00 • (£63.00)
978-1-4985-1647-1 • Paperback • March 2015 • $53.99 • (£42.00)
978-0-7391-7118-9 • eBook • May 2013 • $51.00 • (£39.00)
Linda Seidel is a professor of English at Truman State University.
Acknowledgments
Introduction: Mediated Motherhood
Part I: The Nancy Grace Effect
Chapter 1. Nancy Grace and the Motherhood Critics
Chapter 2. Neonaticide in Nancy Grace and Jodi Picoult
Part II: Working-Class Mothers in White and Black
Chapter 3. Gone Baby Gone: Reproducing the Bad Mother
Chapter 4. Stereotyping the Black Welfare Mother in Precious
Part III: Alienated Maternity in White Professional Women
Chapter 5. Creating the Reality of Postpartum Depression in Shields’ Down Came the Rain and Morton’s Breakable You
Chapter 6. Glenn Close and the Monstrous Maternal: Mothers and Daughters in Damages
Epilogue: Motherhood in Context
References
Mediated Maternity: Contemporary American Portrayals of Bad Mothers in Literature and Popular Culture, Linda Seidel aims a discerning eye at those media narratives that compel us with their tales of motherhood gone awry and suggests that these stories not only expose the shortcomings of individual mothers but also reveal our collective fears about the role of women in contemporary culture. . . .What Seidel . . . offer[s] . . . is a series of revealing glimpses into popular representations of American motherhood. Our current media landscape, littered with images of deviant, neglectful, monstrous mothers, is reflective of a cultural moment in which women’s intellect, bodies, and economic and political potential are colliding with deep-seated visions of idealized motherhood. Mediated Maternity provides an important analysis of the critical and often contradictory media messages aimed at mothers and moms-to-be and points to the deep and powerful impact these representations have on the roles, rights, and responsibilities of all women.
— Journal of American Culture
Read Linda Seidel’s Mediated Maternity and you will never again think in the same way about ‘bad mothers.’ Her examination of cultural productions and events focused on bad mothers shows insight and compassion, balance and empathy. You will surely find yourself reassessing your own views of motherhood, the family, feminism, and community in an increasingly privatized American economy and culture.
— Jerrold Hirsch, Truman State University
By the end of the 20th century the private experience of motherhood was replaced by a ‘neoliberal motherhood’ that demands total self-sacrifice for the well-being of one's children. Mothers find themselves under surveillance by their peers and communities, and called out as ‘bad mothers’ if they are unable to live up to such unreasonable standards. Linda Seidel's text provides an important critique of the ways that popular culture and politics unrelentingly reinforce the figure of the bad mother as the scapegoat for the post-Second Wave societal failure to put sustainable pro-family policies into place alongside its ideological expectations of the strong, independent working mother.
— Laura Mattoon D'Amore, Roger Williams University
Seidel's book expertly interrogates the ideology behind the 'bad mother' as it is delivered in the media, film, and novels. Students of cultural, media, and gender studies will find it a thoughtful and thought-provoking read.
— Elizabeth Klaver, Southern Illinois University at Carbondale