Lexington Books
Pages: 222
•
Trim: 6⅜ x 9½
978-0-7391-6625-3 • Hardback • March 2011 • $120.00 • (£92.00)
978-0-7391-6626-0 • Paperback • February 2012 • $57.99 • (£45.00)
978-0-7391-6627-7 • eBook • July 2012 • $55.00 • (£42.00)
Mark Moss spent the last sixteen years as a teacher, coordinator, and administrator at Seneca College. Currently, he is a writer and consultant living in Toronto. This is his fourth book.
Chapter 1 Preface
Chapter 2 Intro
Chapter 3 Chapter 1: History and Theory
Chapter 4 Chapter 2: The Media and Men
Chapter 5 Chapter 3: Masculine Adornment
Chapter 6 Chapter 4: The Media and Men II
Chapter 7 Chapter 5: History Revisited
Chapter 8 Chapter 6: The Impact of the Fifties: The Slacker, The Dude and The Rebel
Chapter 9 Chapter 7: Masculinity, Media and Aggression
Chapter 10 Chapter 8: Notes on Men and Technology
Chapter 11 Chapter 9: The Objects on Men's Desks
Chapter 12 Chapter 10: Sport and Media Culture
Chapter 13 Conclusion
The Media and Models of Masculinity is a thorough and pragmatic look at what and why men consume. From car culture to men's magazines, Moss navigates the complicated contemporary landscape where men must compete, prove and win their way toward an ever-elusive sense of stability. The book provides a useful overview of a host of mediatized objects and predilections that men seem compelled to embrace and disavow simultaneously.
— Derek A. Burrill, University of California, Riverside
In The Media and Models of Masculinity, Mark Moss presents a fascinating and incisive survey of the various ways masculinity is portrayed and embodied in the popular media. Informed by an arsenal of theories from the fields of sociology, media, and cultural studies, Moss deftly dissects the visual codes and conventions through which masculine identities have been written and re-written since the early twentieth century. Always perceptive and absorbing, the analysis draws on a wonderfully rich range of topics and case-studies—stretching from popular films and TV series to magazines, sports, and interior design. Lively, clued-up, and sharply observed, the book makes a thoroughly worthy contribution to a developing field.
— Bill Osgerby, London Metropolitan University
Masculinity studies is on a roll. Two decades after Robert Bly heated up the men's movement with Iron John: A Book about Men (CH, Mar'91, 28-4189), research on men has reached a boiling point. Also author of Toward the Visualization of History (CH, Jun'09, 46-5760) and other works, Moss raids two decades of research in interdisciplinary areas intersecting with masculinity studies--literature, popular culture, history, media. It is a platitude in academia that researchers either purvey new ideas or synthesize the ideas of others. Moss tends toward the latter, surveying hundreds of books and articles, some published as recently as 2010 (the bibliography runs ten pages). Still, he breaks new ground in chapter 6, 'The Impact of the 1950s,' in which he shows the origins in that decade of male archetypes of the present time (slacker, dude, rebel). Beyond that, he takes on metrosexuality, the special relationship men have with their cars, the objects on a man's desk as an extension of his identity, and sports 'infotainment' on cable and satellite television. Moss has a penchant for the passive voice, but his prose is otherwise clear. Readers unfamiliar with masculinity studies would do well to start here.
— Choice Reviews