Lexington Books
Pages: 284
Trim: 6⅜ x 9½
978-0-7391-1841-2 • Hardback • February 2007 • $147.00 • (£113.00)
978-0-7391-1842-9 • Paperback • February 2007 • $57.99 • (£45.00)
978-0-7391-5637-7 • eBook • February 2007 • $55.00 • (£42.00)
Hiroshi Nara is professor of Japanese language and Japanese linguistics at the University of Pittsburgh.
Part 1 Inexorable Modernity
Part 2 Art and Aesthetics
Chapter 3 Potentially Disruptive: Censorship and the Painter Kawanabe Kyosai
Chapter 4 "Modernité in Art": Kojima Kikuo's Critique of Contemporary Japanese Painting, 1931-1940
Chapter 5 The Ascent of Yoga in Modern Japan and the Pacific War
Chapter 6 Art and Ethics in Watsuji Tetsuro's Philosophy
Part 7 Theatre
Chapter 9 Contesting Authority through Comic Disruption: Mixed Marriages as Metaphor in Postwar Kyogen Experiments
Chapter 10 An Aesthetic of Destruction: Mishima Yukio's My Friend Hitler
Chapter 11 Remembered Idylls, Forgotten Truths: Nostalgia and Geography in the Drama of Shimizu Kunio
Chapter 12 Healing the (Metaphysically) Sick (Theatre): A Buddhist Ibsen in Christian Japan
Part 13 Literature
Chapter 14 The Wild Geese Revisited: Mori Ogai's Mix of Old and New
Chapter 15 Public Space and the Nature of Modern Fiction: Izumi Kyoka's Noble Blood, Heroic Blood
Chapter 16 Yokomitsu Riichi's Two Machines
Inexorable Modernity has the clear virtue of addressing modern Japanese aesthetics, painting, and theater in a single volume, one of very few recent works to do so.
— 2008; The Journal of Japanese Studies
By drawing together essays on art and aesthetics, theatre, film, and literature, this volume provides a broad, nuanced view of the landscape of modernity in Japan. It is a most interesting and useful resource for teaching—a fine tribute to an outstanding scholar and teacher whose erudition and creativity have afforded pleasure and insight to so many readers over the years.
— Elaine Gerbert, associate professor of modern Japanese literature, University of Kansas