Lexington Books
Pages: 316
Trim: 6½ x 9¾
978-0-7391-4394-0 • Hardback • June 2010 • $142.00 • (£109.00)
978-0-7391-4395-7 • Paperback • April 2012 • $57.99 • (£45.00)
978-0-7391-4396-4 • eBook • June 2010 • $55.00 • (£42.00)
Marc Lucht is visiting assistant professor of philosophy at Virginia Polytechnic Institute and State University.
Donna Yarri is associate professor of theology at Alvernia University.
Chapter 1. Introduction
Chapter 2. Kafka's Hybrids: Thinking Animals and Mirrored Humans
Chapter 3. "Czechs, Jews and Dogs Not Allowed": Identity, Boundary and Moral Stance in Kafka's "A Crossbreed" and "Jackals and Arabs"
Chapter 4. De-allegorizing Kafka's Ape: Two Animalistic Contexts
Chapter 5. Agents of the Forgotten: Animals as the Vehicles of Shame in Kafka
Chapter 6. The Difficult Task of Being Real: Odradek, the Kittenlamb, and the Historical Individual
Chapter 7. Consolation in Your Neighbour's Fur: On Kafka's Animal Parables
Chapter 8. Crowds, Animals, and Aesthetic Language in Kafka's "Josephine"
Chapter 9. Performative Emotion in Kafka's "Josephine, the Singer; or, the Mouse Folk" and Freud's "The Creative Writer and Daydreamer"
Chapter 10. The Power of the Look: Franz Kafka's "The Cares of a Family Man"
Chapter 11. Four Hands Good, Two Hands Bad
Chapter 12. Who identified the animal? The rhetoric behind the hybrid in Kafka's "The Metamorphosis" and Amerika (The man who disappeared)
Chapter 13. The Portrait of an Armor-Plated Sign: Reimagining Samsa's Exoskeleton
Chapter 14. Extraterrestrial Kafka: Ahead to the Graphic Novel
Chapter 15. Index to Kafka's Use of Creatures in His Writings
Kafka's Creatures is a significant addition to the literature in the growing interdisciplinary field of animal studies. This collection of original high-quality essays focuses on numerous issues including who we are, who 'they' are, and how this information can be used to make the lives of animals better. We also see how important it is to recognize that we ourselves are animals who share mental abilities with other species, and that we should embrace this fact rather than arrogantly reject it.
— Marc Bekoff, author of Wild Justice: The Moral Lives of Animals and The Animal Manifesto: Six Reasons For Expanding Our Compassion Footprint
The essays included in this volume show how Kafka problematizes the liminal space between the human and the animal, thereby calling into question the nature and legitimacy of historical claims to human superiority over non-human animals as well as the authority of taxonomic designations about natural kinds generally. The essays also shed valuable light on the respective contributions that philosophy and literature can make to our reflections on the human ethos, as well as on the fundamental limitations of each of these disciplines in the endeavor to find our proper place in the larger cosmic scheme of things.
— Gary Steiner, Bucknell University
This original and passionately suggestive essay collection—the first in English of its kind—offers highly illuminating analyses of Kafka's puzzling representations of animal life. Investigating themes such as the writer's subversion of anthropocentism, his sense of humanity's self-alienation, and his critique of social power, the volume links Kafka's radical modernism to recent interests in cognitive ethology, the deconstruction of human/animal dichotomy and the advocacy of animal rights.
— Rolf J. Goebel, University of Alabama in Huntsville
Kafka's affinity and empathy for animals led him to write numerous tales in which the central characters are thinking animals, human-animal hybrids, or fantastic creatures. These tales have traditionally been interpreted allegorically, as fables that reduce the human condition to its basic, enigmatic features. Lucht (philosophy, Virginia Tech) and Yarri (theology, Alvernia Univ.) have gathered suggestive, insightful critical analyses (representing a diversity of approaches) that for the most part challenge this allegorical assumption about Kafka's creatures. In treating Kafka's animal stories more as stories about animals, the contributors not so much overthrow the time-honored allegory assumption but augment it by exploring Kafka's provocative blurring of the boundaries between species and creatures. At its best, the volume sheds light on Kafka's subversion of anthropocentric prejudices and sociocultural values, thus generating new perspectives on his meditations on power, guilt and history, Jewish identity, and the alienating, dehumanizing forces of the modern/postmodern world. And in elaborating the narrative stance and creaturely perspectives of these tales, these essays elucidate ways in which Kafka anticipated study of ethnicity, non-human subjectivity, and animal rights. Summing Up: Recommended. Upper-division undergraduates through faculty.
— Choice Reviews
Kafka's Creatures brings together the burgeoning field of animal studies with one of literary studies and world literature's favorite topics, the work of Czech author Franz Kafka, in a pleasing collection of scholarly research from an array of international scholars. . . . [K]afka's Creatures is accessible enough for the novice and intellectually challenging enough for established scholars. For general scholarly interest, this book will . . . broaden analytical options and introduce the researcher to new perspectives. . . . This book will serve well on an academic library bookshelf or in the office of an individual scholar interested in the area of animal studies or, simply, Kafka's literature. . . .But Kafka's Creatures is about more than just the most important and innovative author of the Czech Republic; in addition, these scholars awaken an appreciation and enthusiasm for the study of the animal subject in literature.
— The Journal of the Fantastic in the Arts