Lexington Books
Pages: 296
Trim: 6 x 9
978-0-7391-3720-8 • Hardback • October 2009 • $121.00 • (£93.00)
978-0-7391-3721-5 • Paperback • September 2009 • $48.99 • (£38.00)
978-0-7391-3722-2 • eBook • September 2009 • $46.50 • (£36.00)
Ted Gournelos is assistant professor of critical media and cultural studies at Rollins College.
Part 1 Introduction: How to Break What's Broken: Visual Culture, Dissonance, and Politics
Part 2 Prelude: Tactics of Oppositional Culture
Part 3 Part I: The Allusive
Chapter 4 Chapter 1. Boobs, Barf, and Bloody Asses: Coming of Age in South Park
Chapter 5 Chapter 2. Singing in Hell With Satan: Intertextuality, Music, and the Regulation of the Child
Chapter 6 Interlude 1. Irony, Community, and the Intelligent Design Debate in South Park and The Simpsons
Part 7 Part II: The Responsive
Chapter 8 Chapter 3. Puppets, Slaves, and Sex Changes: Performing Sex with Mr. Garrison
Chapter 9 Chapter 4. Muhammad's Ghost: Religion, Censorship, and the Politics of Intimidation
Chapter 10 Interlude 2. To Rely on the Absurdity of the System: The Daily Show, The Onion, and New Media Convergence
Part 11 Part III: The Disruptive
Chapter 12 Chapter 5. Ambivalent Opposition: South Park's Racial Discourse
Chapter 13 Chapter 6. A Neocon Parade: South Park and Post-9/11 Politics
Chapter 14 Coda: The Boondocks, Chappelle's Show, and the Rearticulation of Racial Politics
Part 15 Conclusion: Playing With the System, Playing With Fire
Gournelos ably mobilizes South Park's challenge to traditional broadcasting and marketing strategies, to mount a convincing and insightful case about oppositional culture in the contemporary era. His Taoist model of allusive, responsive and disruptive processes reveals South Park and similar texts as models which both critique a range of political discourses and the contradictory media practices which mount them. Gournelos' scholarship is comprehensive, offering an engaging and persuasive account of post 9/11 ideological flux and moral ambiguity
— Paul Wells, Loughborough University
Amidst South Park's general irreverence and grotesquerie lies one of American media's more interesting sites for oppositional politics. With care and significant skill, Gournelos examines the show and other satirical voices in contemporary culture, explaining exactly how and why the glorious horror of Eric Cartman and friends matter.
— Jonathan Gray, University of Wisconsin, Madison