Lexington Books
Pages: 206
•
Trim: 6½ x 9½
978-0-7391-3562-4 • Hardback • June 2009 • $120.00 • (£92.00)
978-0-7391-3563-1 • Paperback • June 2009 • $57.99 • (£45.00)
978-0-7391-3564-8 • eBook • June 2009 • $55.00 • (£42.00)
Sidney A. Pearson, Jr. is professor emeritus of political science at Radford University and editor of The Constitutional Polity: Essays on the Founding Principles of American Politics.
Chapter 1 Introduction
Chapter 2 Chapter 1. Defending the West: John Ford and the Creation of the Epic Western
Chapter 3 Chapter 2. The Blessings of Civilization: John Ford's Stagecoach
Chapter 4 Chapter 3. John Ford's Revolutionary Americans: Drums Along the Mohawk
Chapter 5 Chapter 4. Modernity and the Destruction of Boundaries: John Ford's The Grapes of Wrath
Chapter 6 Chapter 5. On the Threshold of Modernity: John Ford's How Green Was My Valley
Chapter 7 Chapter 6. Heroes and Political Communities in John Ford's Westerns: The Role of Wyatt Earp in My Darling Clementine
Chapter 8 Chapter 7. The Western and the Western Drama: John Ford's The Searchers and the Oresteia
Chapter 9 Chapter 8. Heroic Virtue and the Limits of Democracy in John Ford's The Searchers
Chapter 10 Chapter 9. Honor, Duty, and Civic Virtue: John Ford's Mr. Roberts and The Last Hurrah
Chapter 11 Why it is Tough to be the Second Toughest Guy in a Tough Town: John Ford's The Man Who Shot Liberty Valance
As we are on the threshold today of what may prove to be revolutionary changes in the American regime, it is entirely fitting that Sidney Pearson calls our attention back to the cultural revolution of the 1960s, by way of looking to the director whose films most effectively and artfully probed the issues at stake in America's cultural revolution from the perspective of heroic America. It is also fitting that Pearson approaches the films of such a great director with such a talented lineup of essayists, including some of our most interesting commentators on political philosophy and culture. For all who admire Ford's work, and especially for those of us who draw on it in our courses, this is an important and compelling collection.
— Ronald J. Pestritto, author of Woodrow Wilson and the Roots of Modern Liberalism and America Transformed: The Rise and Legacy of American Progressivism, Hillsdale College
Although the marriage of political philosophy and film seems like a dubious exercise at best, these deftly crafted and persuasively argued essays show that the films of John Ford are as much entertainment as they are profound meditations on the nature and the meaning of the American experiment in self-government. One should go farther to say that in the absence of a keen understanding of American culture and political philosophy each of these authors bring their their analyses, we might never adequately appreciate and understand Ford's accomplishments. Ford's creations emerge at a critical time in American history, just as the cultural revolution of the 1960s gathered steam, when the meaning of America may have been indelibly transformed. These essays invite us to ponder, as Ford himself seems to have done, whether that transformation is in accord with our best hopes or our worst fears.
— Eduardo Velásquez, Washington and Lee University