Lexington Books
Pages: 280
Trim: 0 x 0
978-0-7391-3365-1 • Hardback • December 2009 • $109.00 • (£84.00)
978-0-7391-3366-8 • Paperback • April 2011 • $46.99 • (£36.00)
978-0-7391-3367-5 • eBook • December 2009 • $44.50 • (£34.00)
Sarah S. G. Frantz is assistant professor of English at Fayetteville State University. Katharina Rennhak is assistant professor of English at Ludwig-Maximilians-UniversitSt Munich.
Chapter 1 Female Novelists and Their Male Characters, 1750-2000: An Introduction
Chapter 2 Happy Men?: Mid-Eighteenth-Century Women Writers and Ideal Masculinity
Chapter 3 Male Privilege in Frances Burney's The Wanderer
Chapter 4 The Medium Makes the Man: Anne Plumptre's Something New and The History of Myself and My Friend
Chapter 5 "Too much in the common Novel style": Reforming Masculinities in Jane Austen's Sense and Sensibility
Chapter 6 Constructing Masculine Narrative: Charlotte Brontë's The Professor
Chapter 7 The Lifted Veil: George Eliot's Experiment with First-Person Narrative
Chapter 8 Assimilating the "pretty youngster": George Eliot's Eroticized Men on the Borderlines of Morality, Religion, Race, and Nation
Chapter 9 "His spirituality or his manliness": Elizabeth Stuart Phelps's (Re)Constructions of Christian Masculinity
Chapter 10 The Differential Construction of Masculinity in the Writings of Virginia Woolf
Chapter 11 Knitting Paradise Lost: Masculinity and Domesticity in the Novels of Carol Shields
Chapter 12 Looking (Im)Properly: Women Objectifying Men's Bodies in Contemporary Australian Women's Fiction
Chapter 13 Unmaking the Self-Made Man: Louise Erdrich's Fictional Exploration of Masculinity
Chapter 14 "I've tried my entire life to be a good man": Suzanne Brockmann's Sam Starrett, Ideal Romance Hero
The essays are clearly written, with theoretical terms defined well enough that less experienced readers will not be lost.... Recommended.
— M.E. Burstein; CHOICE, June 2010