Lexington Books
Pages: 384
Trim: 6⅜ x 9½
978-0-7391-0785-0 • Hardback • August 2006 • $140.00 • (£108.00)
978-0-7391-2725-4 • Paperback • June 2009 • $66.99 • (£52.00)
Michael R. Seats is senior lecturer in the Division of Language Studies at City University of Hong Kong.
Part 1 Part I: Theoretical Preliminaries
Chapter 2 The Murakami Phenomenon: Critical/Fictional Thematics
Chapter 3 Simulacral Structures: Modernity, the Global and the Idea of the Japanese Novel
Chapter 4 The Theory of the Simulacrum:Trajectories and Limits
Part 5 Part II: The Critique of Orthodoxy
6 Parody, Pastiche, Metafiction: Hear the Wind Sing
7 Allegory as Modality:Pinball, 1973
8 Alleory as Landscape: A Wild Sheep Chase
9 Part III: The Return of the Referent
10 The Wind-Up Bird Chronicle: Contexts
11 The Wind-Up Bird Chronicle: Subject and Text
12 The Wind-Up Bird Chronicle: Stories
13 Conclusion: From Simulacrum to Differend
Murakami Haruki reinvigorates debate regarding Murakami's ultimate purpose and place as a writer, and his role in the larger debates concerning Japanese modernity and subjectivity, and is therefore a useful addition to the body of discourse on this important novelist.
— 2008; The Journal of Japanese Studies