Lexington Books
Pages: 176
Trim: 6½ x 9¼
978-0-7391-0831-4 • Hardback • October 2004 • $124.00 • (£95.00)
978-0-7391-2022-4 • Paperback • January 2007 • $54.99 • (£42.00)
Pamela A. Pears is assistant professor of French at Washington College.
Chapter 1 Framing, Defining, and Questioning
Chapter 2 Making the Link
Chapter 3 War
Chapter 4 Postwar Fragmentation
This remarkable comparative study of francophone literature cuts through scholarly barriers with rare elegance. Grounding her discussion in a rich and varied theoretical framework, Pears deftly questions the very notion of francophonie and at the same time reasserts connections between Vietnam and Algeria from a historical perspective.... Through careful analysis, Pears clarifies the position of the postcolonial woman writer as distinct from hybrid, and the notion of fragmentation as a positive, enriching one. A model of its genre, this book will engage all who are interested in francophone literature. Essential.
— Choice Reviews
In Remnants of Empire in Algeria and Vietnam Pamela A. Pears presents a scintillating analysis of the historical parallels between the two former French colonies and then sets out to study the on-going dialogue between writers located within several languages and three nations, Algeria, France and Vietnam. In this truly original project, Pears shows the role that four important women writers have played in confronting the legacies of colonialism and the wars of national liberation. Focusing on novels caught in the flows of nations and empires, Pears offers a new perspective on the postcolonial world by showing with the utmost conviction and skill the role literature plays in launching new demands for equality.
— Philip Watts, associate professor, and chair, Department of French and Italian, University of Pittsburgh
This monograph has the merit of illustrating many of its established issues such as the questions of hybridity and fragmentation.
— H-France Review
Pamela Pears has written a compelling study of Algerian and Vietnamese francophone women's writing. She argues convincingly that the experience of French colonialism, the changing role of women in society, and the narrative technique of fragmentation link the writings of Algerian novelists, Yamina Mechakra and Malika Mokeddem to Vietnamese writers Ly Thu Ho and Kim Lefèvre. As Pears aptly notes, women, words, and war are the vestiges of the colonial empire that France secured in the nineteenth century and lost in the twentieth. Cultural influences survive political and military struggles. These writers use the French language and innovative narrative techniques to express the complex nature of the postcolonial female subject.
— Mildred Mortimer, University of Colorado, Boulder