Lexington Books
Pages: 122
Trim: 6½ x 9¼
978-0-7391-0870-3 • Hardback • October 2004 • $108.00 • (£83.00)
Subjects: History / Ancient / Greece,
History / Europe / Western,
Literary Criticism / General,
Literary Criticism / American / General,
Literary Criticism / Gothic & Romance,
Literary Criticism / Ancient & Classical,
Literary Criticism / Semiotics & Theory,
Literary Criticism / Drama,
Philosophy / General,
Philosophy / Movements / Existentialism,
Philosophy / Movements / Humanism,
Philosophy / Metaphysics,
Philosophy / Criticism,
Philosophy / Movements / Deconstruction,
Psychology / General,
Psychology / Human Sexuality,
Psychology / Movements / Psychoanalysis,
Psychology / Movements / Existential,
Social Science / Customs & Traditions,
Social Science / Folklore & Mythology,
Social Science / Popular Culture,
Social Science / Women's Studies,
Social Science / Gender Studies,
Social Science / Pornography
Alina M. Luna is Lecturer in English at the State University of New York, Albany.
Chapter 1 (Re)membering to Mother in Euripides'Bacchae
Chapter 2 A Breast to Dream of, Not to Tell: The Re-birth of "Christabel"
Chapter 3 To Spare a Fly and Harm a Son: Hitchcock's Norma Bates
Chapter 4 Breaking the Bond: Eugenie's Triumph in the Bedroom
Visual Perversity is a compelling narrative of the violence cascading from a mother's love. Luna's account targets the look between mother and child in its most extreme (and lethal) instances, capturing in the elusive movement between the visual and the textual a disturbing double image (of love and destruction) that cuts across centuries and genres. From The Bacchae to de Sade, from the absent mother in Christabel to the all-too-present one in Hitchcock's Psycho, Luna addresses, in commanding and elegant arguments, the power of a relationship that in these texts undermines life, liberty, and most certainly the pursuit of happiness. What is original in this outstanding contribution to cultural studies is Luna's focus on the mother's gaze as the instrument of murder—a gaze that dis-acknowledges the child and thus its origin, that dismembers (literally) the child and (figuratively) the most intense, fundamental relationship on which the familial and social fabric is built.
— Helen Regueiro Elam, Professor of English, SUNY-Albany
Alina Luna's Visual Perversity: A Re-articulation of Maternal Instinct is a fine piece of hermeneutic detective work that traverses epistemological, social, and psychoanalytic borders. By putting into question two key modernist tropes—the maternal and the eye—Luna finds a secret in the family crypt of modernity: that behind her role as origin or source, the figure of mother exercises destroying powers. Luna embarks on challenging readings of Euripides, Coleridge, Hitchcock and Sade, that compel us to reconsider how terms like gaze and maternity function...
— Tom Cohen, Professor and Chair of English at the SUNY--Albany
Alina Luna's Visual Perversity: A Re-articulation of Maternal Instinct is a fine piece of hermeneutic detective work that traverses epistemological, social, and psychoanalytic borders. By putting into question two key modernist tropes—the "maternal" and the eye—Luna finds a secret in the family crypt of modernity: that behind her role as origin or source, the figure of "mother" exercises destroying powers. Luna embarks on challenging readings of Euripides, Coleridge, Hitchcock and Sade, that compelus to reconsider how terms like "gaze" and maternity function.
— Tom Cohen, Professor and Chair of English at the SUNY--Albany