Final Drafts: Suicides of World-Famous Authors

Ghost Words and Invisible Giants: H.D., Djuna Barnes, and the Language of Suffering

Ideology in the Poetry of Sylvia Plath: From Manuscript to Published Poem

Revisiting the French Resistance in Cinema, Literature, Bande Dessinée, and Television (1942–2012)

Philip Larkin, Popular Culture, and the English Individual

Refiguring Les Années Noires: Literary Representations of the Nazi Occupation

The Many Facets of Diamonds Are Forever: James Bond on Page and Screen

Pinter’s World: Relationships, Obsessions, and Artistic Endeavors

Updating Bergson: A Philosophy of the Enduring Present

Masculinity and Place in American Literature since 1950

Representing Rural Women

Collectivity in Struggle: Godard, Genet, and the Palestinian Revolt of the 1970s

The Complicit Text: Failures of Witnessing in Postwar Fiction

The Modern Stephen King Canon: Beyond Horror

Reconsidering Elizabeth Bowen’s Shorter Fiction: Dead Reckoning

Octavio Paz: Ontology and Surrealism

Paul Auster's Ghosts: The Echoes of European and American Tradition

Tillie Olsen and the Dialectical Philosophy of Proletarian Literature

Queer Transgressions in Twentieth-Century Polish Fiction: Gender, Nation, Politics

Mikhail Bakhtin’s Heritage in Literature, Arts, and Psychology: Art and Answerability

Andrey Platonov: The Forgotten Dream of the Revolution

Willa Cather and E. M. Forster: Transatlantic Transcendence

The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom

Sonia Sanchez's Poetic Spirit through Haiku

The Inklings, the Victorians, and the Moderns: Reconciling Tradition in the Modern Age

Eric Ambler’s Novels: Critiquing Modernity

Auden's Syllabic Verse

Reading Graham Swift

Utopian and Dystopian Themes in Tolkien’s Legendarium